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Inwards to the Foreign: The Strategy of Dimitar Dimov’s Works

Summary/Abstract: The foreign in Dimitar Dimov’s works is basic for his narrative strategy. It is structure-forming for his works, and not external and formal, as it has been perceived in most cases. Sustained by it are the story and the characters, as well as the narrator’s point of view. Without including an opposition to the own/Bulgarian, it is a direct approach to the most crucial philosophical and psychological searches of the author. The foreign is set also as a reading strategy of Dimov’s works. If the reader misses the „foreign“ — if s/he depreciates or misinterprets it — that means s/he misses Dimov. Furthermore, „inwards to the foreign“ suggests a reception strategy by which the receiver could „read“ his/her own intrapsychic. Imaginaries — With and Without Weinin

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