The composer’s creativity of M.K. Churlonis and I.V. Tylyk: the systemacy of musical thinking in the context of the principle of the phenomenological similarity Cover Image

КОМПОЗИТОРСЬКА ТВОРЧІСТЬ М. К. ЧЮРЛЬОНІСА ТА І. В. ТИЛИКА: системність музичного мислення в контексті принципу феноменологічної подібності
The composer’s creativity of M.K. Churlonis and I.V. Tylyk: the systemacy of musical thinking in the context of the principle of the phenomenological similarity

Author(s): Oksana Uzikova
Subject(s): Music, Ethics / Practical Philosophy, Theology and Religion, Cultural Anthropology / Ethnology
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: systemacy; musical thinking; principles of phenomenological similarities; cosmism; theurgy; the language of music; composer creativity

Summary/Abstract: The article is devoted to the analysis of the composer’s creativity of M. K. Churlonis and I. V. Tylyk in the context of the principle of the phenomenological similarity. The article covers the features of philosophical world outlook, image-associative perception and spiritual spheres of musical thinking of the composers. The article characterises the artistic and philosophical trend cosmism as a conceptual implementation of composers’ attitude and outlook. It investigates the semantic parallels in theurgical aspect in the works of M.K. Chiurlionis and I.V. Tylyk as a manifestation of virtual communication with supreme cosmic mind. The article considers the features of the musical language of the composers. It analyzes the works of M.K. Chiurlionis ("Our Father", "De profundis") and I.V. Tylyk (triptych "Under the Sign of Eternity", "Prayer", "Repentance. Open the door for me Giver of Life"), which are marked with the plot and thematic similarity of spiritual love to the Divine Creator.

  • Issue Year: 2015
  • Issue No: 1
  • Page Range: 146-154
  • Page Count: 9
  • Language: Ukrainian