DŹWIĘK I ZNACZENIE W POEZJI MIRONA BIAŁOSZEWSKIEGO
SOUND AND MEANING IN THE POETRY OF MIRON BIALOSZEWSKIEGO

Summary/Abstract: The poetry of Miron Białoszewskiego characterized not only by the increase of original neologisms or a particular side of the visual lines, but the ubiquitous category of the sound recorded and the scent given off by different ways. So relacjonowanym appears in the experience of the subject, a lyrical, sympathetic to foniczną the fabric of reality, as in the description of the external world. Applying different strategies udźwiękowiania his poetry manipulates the meaning of ascension, thus putting his status in doubt. In their arguments Im trying to brighten up the problems of the relationship of sound and the values in the selected lines of the poet, focusing on two main issues. First, at the level of structural dependence of sound and value, and this primarily on trudnosti brzmieniowym depending on etymology and change of meaning or zwielokrotnieniu through the change in the sound of the word. Secondly, the problem of attributing words to reality. Here the most important issues are: differences between głoską and word – semantic media sound, unclear link to the right of onomatopoeia and other words dźwiękonaśladowczych, "to cover" value through the sound, brzmieniowej words, the hypothesis autoodniesienia and rozszyfrowywanie permission using symbols the concept of a primary or primary expression in the way of analysis of its structure.

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