Значение русской пианистической школы для становления фортепианного искусства в странах Дальневосточного региона (Китай, Корея, Япония)
The Significance of the Russian Pianist School for Building Keyboard Culture in the Far East Countries (China, Korea, Japan)
Author(s): Sergey EisenstadtSubject(s): Fine Arts / Performing Arts, Music
Published by: Издателство НМА „Проф. Панчо Владигеров”
Keywords: piano; China; Korea; Japan; Russian clavier schools
Summary/Abstract: This article strives to point out that creating the current cultural level of keyboard schools in China, Korea and Japan, a particular influence is to be credited to the Russian keyboard school. Russian pianism is a power catalyst that has made possible for the mentioned countries to develop, according to their own national mentality and culture, and to enrich their unique emotional and sound palette. A conclusion has been drawn: that in the Far Eastern region, during its keyboard school formation, certain style features of the Russian keyboard school are particularly essential and crucial. Among them are: particular power of emotion, openness, spontaneity of expression, actively promoted penchant for sound saturation, multivariability of timbre solutions, cultivation of dense and savory piano sound.
Journal: Алманах - Национална музикална академия „Проф. Панчо Владигеров“
- Issue Year: 2018
- Issue No: 9
- Page Range: 326-338
- Page Count: 13
- Language: Russian