Style-Forming Tendencies in Russian Singing in the 15th – 17th Centuries Cover Image

Стилеформирующие тенденции в руском певческом искусстве ХV–ХVII веков
Style-Forming Tendencies in Russian Singing in the 15th – 17th Centuries

Author(s): Boris Shindin
Subject(s): Fine Arts / Performing Arts, Music
Published by: Издателство НМА „Проф. Панчо Владигеров”
Keywords: liturgical singing of the Russian Orthodox Church; Demestvenny chant; Znamenny chant; Russian Pre-Renaissance period; Russian Transition period

Summary/Abstract: This article traces the processes of style-forming tendencies formation of liturgical singing at the Russian Orthodox Church, in 15th – 17th c. Two musical phenomena were chosen for study: Znamenny chant and Demestvenny razpev. Both are associated with Russian Pre-Renaissance and Transition periods. There, ongoing transformation is obvious and significant, affecting all music components, like intonation, modes, composition, notation and orthography design, on all levels of hierarchy (popevka – chant – cycle of chants). Master singers strive to enhance singing’s intonation scope, synthesizing spiritual singing with folk singing; broaden modal and compositional thinking, and develop an emotionally solemn style. These factors match the main Middle Ages’ tendency of gradual expansion of “allowed freedom” in means of expression.

Toggle Accessibility Mode