Willa Bianki. Mały przewodnik drohobycki dla przyjaciół fragment
Bianka’s Villa

Summary/Abstract: The article concerns “Bianka’s residence” – an important construction element of Wiosna (Spring), a story by Bruno Schulz and, simultaneously, one of the most prominent elements of this artist’s imaginarium. Władysław Panas analyses and interprets the “Bianka’s villa” motif, its structural and semiotic properties and inner-textual determinants, as well as those contexts belonging to it whose impact models to the greatest extent the semantic potential of the motif subjected to analysis. The crucial role in the research and reading strategy chosen by Panas is played by references to painting and - indirectly – to the reality of Drohobycz; the leitmotif of the presented deciphering is the multi-form presence in the story of “whiteness” (spanning from “whiteness” inscribed in the name: ”Bianka” to the iconic-chromatic value of “white” elements of the depicted world in Wiosna).

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