ОСОБЛИВОСТІ МУЗИЧНОЇ ІНТЕРПРЕТАЦІЇ ПСАЛМОВОГО ТЕКСТУ У ДВОХ КОНЦЕРТАХ «ДОКОЛІ, ГОСПОДИ, ЗАБУДЕШИ МЯ» ТА ПРОБЛЕМА АВТОРСТВА
THE FEATURES OF MUSICAL INTERPRETATION OF PSALM’S TEXT IN TWO CONCERTOS «TILL WHEN, O LORD, WILL YOU FORGET ME» AND THE PROBLEM OF AN AUTHORSHIP

Summary/Abstract: The purpose of the research. The article compares the musical interpretations of the 12th Psalm in two spiritual concertos – "Till when, o Lord, will you forget me" by A. Vedel and the concerto of the same name, which in various sources has contradictory author attribution (A. Vedel or S. Dehtyaryov), as well as the fragment of the 22nd psalm in the second part of the last concert and the A. Vedel's double-choir cycle "The Lord feeds me". With this approach, it was supposed to find additional arguments to solve the problem of the authorship of the second concerto, "Till when, o Lord, will you forget me." Research methodology is to combine the empirical method and the general scientific logical methods of analysis and synthesis, the hermeneutic approach and the comparative method, which allowed us to discover the individual-style specifics for a certain parameter (the interaction of a word and music on the compositional and dramaturgical level) in the works belonging to the same genre and one historical epoch.

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