В търсене на бялата лястовица на новото българско игрално кино
Recently, there has been talk of a ‘New Wave’ of Bulgarian film and more often than not, of Bulgarian feature film. Still, the processes behind the making of these movies rarely suppose fitting into the same category. New Bulgarian movies are now quite distinct from each other, built on different auteur and technological principles. To what extent is the term ‘New Wave’ appropriate and who are the real actors of change: private financing, new art quests, commercial genre formats or just the new technologies, are issues that would be the subject of much debate and in-depth studies.
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