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ТИПОЛОГИЈА ”ДРУГОГ” У ТРАВНИЧКОЈ ХРОНИЦИ ИВЕ АНДРИЋА

Author(s): Krinka Vidakovic-Petrov / Language(s): Serbian / Issue: 2/2015

The Time of the Consuls by Ivo Andrić is based on specific sources and has the following features: reduced time-place framework, chronicle format of narration, primary function of characters rather than plot, polycentric narrative structure, the metaphor of travel/roads as a unifying factor. The varying relationship between perceptions of two worlds - one identified with «self», the other with «alien» - provides a principle for the analysis of the typology of the «Other». Four basic types have been identified: (1) two clearly distinct worlds between with a temporary contact, which emphasises the distinction between them (basic imagological type); (2) two worlds built into the definition of «self» producing a «third world» positioned between «self» and «alien»; (3) two worlds in parallel position lacking essential communication. These three types are articulated in reality and transferred into the realm of narration (fiction). The fourth type of «Other» is created in the narrative structure itself, questioning the relationship between reality and image of reality (fiction).

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Типологические особенности морфемной структуры слова в английском и бурятском языках (на материале текстов разных функциональных стилей)

Author(s): Aryuna Ivanova / Language(s): Russian / Issue: 27/2017

The article is devoted to the study of typological peculiarities of morphemic word structure in two languages of different types — analytical English and agglutinative Buryat — in relation to the significance of language’s degree of lexicality and grammaticality as its typological determinant. It proves, in particular, the significance of studying the morphemic word structure when separating semiological classes of words from parts of speech; it also determines the grammaticality index and degree of synthesis of a word, as well as discovers most typical models of morphemic “word-in-general” structure, of semiological classes and of separate parts of speech, particularly nouns and verbs, which form the basic opposition of parts of speech.

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Типологические отклонения в тюркских языках (на материалах aзербайджанского языка)

Author(s): Namig Gafarov / Language(s): Russian / Issue: 1/2012

Compound words in the Turkic languages are formed in a number of ways. One of the models is a “phrase-sentence”. This model is more often reveale in a definite group of words (anthroponyms, the names of games and clothes, etc.) in the Azerbaijan language. It must be noted that there are more than 30 of such phrases in the dialectological dictionary of the Azerbaijan language. The “phrase-sentence” model is also characteristic to the anthropological system of the Uzbek language. All the stated above reaffirms the fact that there is no pure and ideal language and the facts stated in the article are considered to be typological deviations.

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ТИПОЛОГИЧЕСКИЕ ПРИЗНАКИ СМИРЕННОГО ГЕРОЯ В ДРЕВНЕРУССКОЙ ЛИТЕРАТУРЕ И ПРОЗЕ И. ШМЕЛЕВА («ПОУЧЕНИЕ» ВЛАДИМИРА МОНОМАХА И РОМАН И. ШМЕЛЕВА «ЛЕТО ГОСПОДНЕ»)

Author(s): Ludmila Dorofeeva / Language(s): English,Russian / Issue: 1/2013

The article mainly raises a question about the representation of a character that we call "humble", his specific features, and the typological ties between the texts which are both within the framework of Russian national cultural tradition. The Testament of Vladimir Monomakh to his Children, written in the 12th century, presents an ideal image of a man — an Old Russian Prince. And in the medieval Russian booklore, liturgical originally, such an ideal character could be only humble - like its Gospel Archetype. The portrayal of Vladimir Monomakh is defined by the dominant idea of repentance, that brings forth a genre of "confession and self-evaluation" (as termed by Mikhail Bakhtin). The idea of the Last Judgment motivates the Prince's deeds and his axiological choice. The inner conflict is in Monomakh's realization of his sinfulness, of his inconformity to his Archetype. The resolution of this inner conflict lies in the principle of synergy, or, in other words, a free union between human's and God's will, which actually is the main typological characteristic of the image of a humble man. Gorkin's character in the novel Summer of the Lord is another perfectly positive character of Russian literature - a humble-type character (or a hagiographycally-idyllic supertype, by the definition of V. Khalizev). Gorkin is deep rooted in the Church, lives according to the Holy Tradition and this is what determines the type of his attitude towards the world. Like in Monomakh's Testament the whole narration of Shmelev’s novel is formed from the standpoint of the Last Judgment, and it is inseparably connected with the idea of meekness. For both Monomakh in his Testament and Gorkin in Shmelev’s Summer of the Lord, Christ is the Archetype of meekness and their life principle is to follow Christ's example. The narrative is also built on the principle of synergy. Due to the fact that both texts are included into the Holy Tradition context, there is typological similarity between the image of a humble man in the Old Russian text and the literature character in Ivan Shmelev’s novel.

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Типологични характеристики на задачите за възприемане на текст при четене

Author(s): Dimka Dimitrova / Language(s): Bulgarian / Issue: 3/2016

The text offers a typological model of questions and tasks with a receptive nature as well as the options for their construction. The model is based on the dependencies between information, that is text and the reader on one hand, and their understanding of the information on the other.  The analysis of these dependencies gives the opportunity to construct a  theoretical model that represents the complex and multi-layered connections between the information within the text and its representation (or lack thereof) in the language and the cognitive processes that accompany the interpretation of text during reading.

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ТИПОЛОГИЯ ВНЕШНОСТИ И "ВНЕШНОСТЬ ТИПОЛОГИИ" В РОМАНЕ КРИСТИАНА КРАХТА "FASERLAND"

Author(s): Roman Krasilnikov / Language(s): Russian / Issue: 10 (15)/2006

Literary critics described the novel “Faserland” (1995) by Christian Kracht as a narration about the world of brand goods. The task of the article is to analyze the representation of relation to clothes and the body, which reflexes practices of modern daily occurrence as a whole. The narrator builds a semiotic system, consisting of four parts: clothes, things, outward appearance and smells. He regularly finds such qualitative features as trade mark, colour or material of object and it allows typifying personality with different criterions. The narrator “envisages” meaningful information for himself and for modern culture under the codes: an occupation of a person, his/her participation in a subculture, his place of living, inclination to some trade mark, body practices, improving his/her appearance. The “cult of typology” gradually becomes interior, ontological foundation of the text. Now the basic reader’s interest comprises invariable passages from one dress-, look-, thing-, and brand-code to the other.

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Типология и системност на рецептивните умения

Author(s): Dimka Dimitrova / Language(s): Bulgarian / Issue: 1/2019

This article focuses on the skills for text comprehension and is based on the view that a skill is a unity of a goal, conditions, means, and an expected outcome. Text comprehension is a complex activity, which runs at different levels and requires a multitude of various complex skills, manifested in a specific communicative situation. These skills have been defined as receptive due to their role in the process of communication with the text. The article discusses their typology and justifies their systematicity. Each highly developed skill aids the execution of specific actions. That is why, the process of its development is of high importance. However, the effectiveness of this process and the selection of adequate methodological decisions depends on one’s knowledge of skill typology.

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ТИПОЛОГИЯ ИМЕН ГЕРОЕВ ОНЕЖСКИХ БЫЛИН И «КАЛЕВАЛЫ»

Author(s): V. V. Baykova / Language(s): Russian / Issue: 3 (140)/2014

Topology of etymons forming the basis of some proper names found in Onego heroic poems and “Kalevala” epos is provided. The similarities and differences of the epic spatial organization, as well as some peculiarities of various onomastic systems are studied. The use of the cross-cultural approach helped to compare the two epic poems on the onomastic level and to defi ne signifi cant features of linguistic thinking inherent to different ethnic groups, as well as to reveal the particular and the general in their cultures.

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ТИПОЛОГИЯ ЛИТЕРАТУРНО-КРИТИЧЕСКИХ ПОРТРЕТОВ В КНИГАХ АНДРЕЯ БЕЛОГО «АРАБЕСКИ» И «ЛУГ ЗЕЛЁНЫЙ»

Author(s): Margarita Sergeevna Afanasyeva / Language(s): Russian / Issue: 1/2016

The paper is devoted to identification of the specifics of genre originality of A. Bely’s literary and critical portraits. The study is based on the literary portraits created by the critic during the period of 1903–1910 and assembled by him in the books of articles, “Green Meadow” (1905) and “Arabesques” (1911). Some of them were earlier published in newspapers and magazines, but these literary portraits acquire another interpretation in the context of the entire book and microcycles. Additional materials for creation of the typology of A. Bely’s literary and critical portraits are the critical works of V. Bryusov, V. Rozanov, and D. Merezhkovskii about N.V. Gogol. They allow to reveal particular aesthetic and critical views of A. Bely on the writer’s personality, symbolism, and literature as a whole. Furthermore, studies related to thoughts on the contemporary literary processes and reflecting the trends of the epoch are used. The analysis of the literary portraits created by the critic demonstrated that they are influenced by both trends of the epoch (lyricization of prose, impressionism, modernization of genres) and A. Bely’s critical views. We have identified the following kinds of literary portraits: reviewing portrait, jubilee portrait, obituary portrait, silhouette portrait, impressionistic sketch of creative work. As noted, various genre forms are synthesized in some articles of the symbolist: the portrait incorporates elements of review, essay, silhouette, feuilleton, etc.

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Типология на дисграфичните грешки при ученици роми в начална училищна възраст

Author(s): Gencho Valchev / Language(s): Bulgarian / Issue: 1/2015

This article looks into the problems, oppearing in the education and socialisation the gypsy children in a situation of an earli bilingual. It is accented on the interference and the negative affect that it exerts on the motivation and dispositions of the gypsy children to the educational process. This study aims to explore the quality and quantity parameters of the disgraphic errors of roma students (bilinguals) and to determine the specifics in their typology, compared to these of Bulgarian students (monolinguals).

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ТИПОЛОГИЯ НА ПОДЧИНЕНИТЕ ИЗРЕЧЕНИЯ КЪМ ПРИЛАГАТЕЛНО ИМЕ В БЪЛГАРСКИ

Author(s): Svetla Koeva / Language(s): Bulgarian / Issue: 2/2018

The motivation of this study is based on the controversial interpretation of the dependent clauses related to an adjective and on the lack (in some cases) of any description for some types of these clauses. The study aims at revelling: a) the semantic nature of the dependencies between the head adjective and the dependent clauses (complements, adjuncts, specifiers); and (b) the grammatical and functional characteristics of dependent clauses related to a head adjective. We show that the predicative adjectives (in a predicative position and in a small clause position) take complement and adjunct clauses, while the attributive adjectives (in a position of modifiers to a noun) take attributive causes. The attributive adjectives regularly combines with a head noun, which in some cases might be omitted if it is recoverable by the context. These structures are called syntactic nominalisation and the relative clauses related with the empty head are free relatives. We conclude with a typology of clauses related to a head adjective in Bulgarian, which takes into account the semantic relations between the head adjective and its dependent clauses, but also pays an attention to the grammatical and functional characteristics of the clauses. The presented typological classes are also related with the traditional classification.

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ТИПОЛОГИЯ РЕЧЕВОЙ ДЕЯТЕЛЬНОСТИ В СОЦИОЛЕКТЕ И В ИДИОЛЕКТЕ

Author(s): Michal Labaszczuk / Language(s): Russian / Issue: 11 (16)/2007

The article analyzes the problem of thinking typology in speech practice in relation to the problem of correlation of such categories as language – consciousness – reality. The problematicity is aggravated with the necessity of taking into consideration not only the main methodological approaches of philosophy; rather, a critical approach to the traditional dichotomies of subject and object, form and meaning, idiolect and sociolect, communication and self-communication, etc. should be taken into account. Alongside with the analysis of the relation between language and speech, the article focuses on the determination of speech practice by thinking, i.e. rational-perceptual and image-sensual part of thinking in basic functional styles of language. The suggested emphasis of thinking typology and speech generation is directed at the inevitability of differentiating the functional-pragmatic aspects of communication and self-communication. Moreover, it is pointed at the necessity of investigating the differences and mutual determination of typological characteristics of thinking and language categories.

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ТИПЫ ИНФОРМАЦИОННОГО ФОКУСА В АНГЛИЙСКОМ ВЫСКАЗЫВАНИИ И ТРУДНОСТИ ЕГО ВЫРАЖЕНИЯ В ИНОЯЗЫЧНОЙ РЕЧИ

Author(s): E. N. Makarova / Language(s): Russian / Issue: 5 (126)/2012

The article deals with the notion of «informational focus» in the English language, including «broad focus» and «narrow focus», as well as with multiple linguistic means of its expression. The main results of the phonetic experiment targeting focus realization in the English speech of Spanish-speaking bilinguals, studying English as a second language, are presented.

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Типы повествования в ранних романах Б. К. Зайцева

Author(s): Jelena Denisova / Language(s): Russian / Issue: 3/2007

The article deals with the analysis of types of narration in three initial novels "Far-distant Country" («Дальний край»), "Golden Ornament" («Золотой узор») and "The House in Passija" («Дом в Пасси») by В. К. Zajtsev. Each of these novels has its peculiar type of narration corresponding to specific features of three types of narration, namely, fairy tale, impersonal and imaginary narrations, which are established by В. К. Zajtsev. The article also touches upon В. К. Zajtsev's style including spontaneity narration, impersonality, usage of fairy tale elements, lyric digression. The article says, that types of narration in the texts of В. К. Zajtsev's initial novels are interconnected, and it is conditioned by abundance of lyrical elements.

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ТИПЫ ХУДОЖЕСТВЕННОГО ВРЕМЕНИ И ИХ РОЛЬ В РОМАНЕ И. А. БУНИНА «ЖИЗНЬ АРСЕНЬЕВА»

Author(s): Tat’yana Kovalyova / Language(s): English,Russian / Issue: 14/2016

The article presents the results of the research of temporal composition of the novel of Ivan A. Bunin “The Life of Arseniev”; it reveals the types of artistic time continuum and characterizes their interrelation and role in the novel. The article defines the temporal composition of Ivan A. Bunin’s novel as a complicated multilevel and top-down structure, which produces different types of artistic time: sociohistorical, family and household, natural-cyclic and biographical. The above-mentioned chronotopical levels are of different volume and importance in the artistic world of the novel. Along with the temporal levels listed above, the author of the article has determined and investigated the time structure of Eternity, which plays a significant role in the novel and involves Christian Eternity of God and of an Immortal Human Soul. Two spatial and temporal models, the 'time of human life' and 'Eternity', contain the crucial coordinates for comprehension of specificity of the artistic time of the novel and of Bunin’s human being concept: the fact of the birth of a person and time of his life get projected onto Eternity. The performed study of the types of the artistic time and of their interrelation and role in the novel “The Life of Arseniev” allows us to make a conclusion that the life of the central character is shown not in one, but in different spatiotemporal formats at the same time: through sociohistorical, family and household, natural-cyclic and biographical chronotopes — and simultaneously the life of Arseniev is put in the time structure of Eternity. This key element of the novel's spatiotemporal structure is very important for understanding of the novel and witnesses as follows — the story of Arseniev is not just a narration about mundane desires of a human being, but also about his immortal soul.

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Титрологични лексикални стратегии в случая „Елена Поптодорова“ в българската преса

Author(s): Vasil Koinarev / Language(s): Bulgarian / Issue: 2/2017

Results from a research on titrological lexical strategies in periodicals, describing Elena Poptodorova’s cream theft from a Polish airport, is presented in this article. The case has been covered by our media for 3 weeks now. 22 newspapers have been used for the purpose of this research – national and regional daily and monthly ones. Only titles, containing the word ‘Elena Poptodorova’ have been taken into account.

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Тишина в миниатюр

Author(s): Nadezhda Stoyanova / Language(s): Bulgarian / Issue: 1/2017

The essay is a short introduction in the Lachezar Stanchev's poem "A Drop".

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Тканина життєтвору Ролана Барта в інтелектуальній біографії письменника Тіфен Самойо

Author(s): Galyna Dranenko / Language(s): Ukrainian / Issue: 91/2015

The article considers T. Samoyault’s biographical proses, dedicated to Roland Barthes (Samoyault T. Roland Barthes, Paris, Éd. du Seuil, 2015). The raises questions are about the intention of the intellectual and biographical project and the poetical methods of theirs realization. We distinguished the subject’s dominants (biographemes) of intellectual lifework and the approaches of their reconstruction. We outlined the narrative methods of the (de)mythologization of the object of the biographical text. We marked out the types of the used discourses: literary or fictional discourse (by means of the sorting of the biographical material in the narrative and the creation of the biographical personage); the documentary or factual discourse used by means of the authentication of the source base this is the testimonies, documents, manuscripts and so on; the argumentative or scientific discourse used by means of the intellectual intention of the biographical project. Besides, we paid attention to the paratextuels components of the analyzed biographical work (péritexte and épitexte) with the purpose to describe the writer’s strategies of the author of the biography of the famous French thinker and we outlined the waiting horizon of their recipient. We justified the singularity of T. Samoyault’s work functions in the genre paradigm of the lifeworks about R. Barthes. We traced „the intellectual biography„ of the French author as the biography which based not on the life of the protagonist of the life story, but as a story of his Novel’s emergence as the complex of the produced his ideas and his concepts and the influences of the intellectual space during the certain period and vice versa. It is specially noted the metabiographical components of the T. Samoyault’s work. We stressed on the combination of the chronological and the fragmental, we noted that the unity of the author’s life story based not on the time direction but on the direction of the critical thought of the life story’s object.

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Тодор Ат. Тодоров (1934–2012)

Author(s): Miscellaneous Miscellaneous / Language(s): Bulgarian / Issue: 4/2012

IN MEMORIAM

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Толковый словарь как предмет лингвистического исследования

Author(s): Alla Kamalova / Language(s): Russian / Issue: XIV/2009

The source of research is V.I. Dalya’s Explanatory dictionary. The material of research is a dictionary entry „Rain”. The dictionary entry is studied as the text. Methods cognitive linguistics, the logic analysis are applied. The author find out typological attributes of the dictionary and confirms high quality of V.I. Dalya’s Explanatory dictionary.

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