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Одломци из разговора Душана Ковачевића са Тамаром Крстић и Михајлом Пантићем
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Одломци из разговора Душана Ковачевића са Тамаром Крстић и Михајлом Пантићем
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Poetry written by Silvija Monros Stojaković - ЗАВЕСА ЗЕЛЕНИЛА; МОГЛА БИХ, АЛИ НЕЋУ; ДЕТЕ
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Poetry written by Stojan Kašterović: ОСМИЈЕХ И БОЛ (Буди моја; Сјета; Похлепа)
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Excerpt from the novel written by Jugoslav Arsenijević: ЦРНЕ ШАМИЈЕ КАО МИЛОСТИ
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Excerpt from the novel “Smrti – Ono što se pamti” written by Nina Živančević.
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Literary text (aphorisms) written by Milovan Vitezović: АФОРИЗМИ О ШЕКСПИРУ
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Poems written by Nikola Milojević: *Štof *Jadni Rilke *Blatella Germanica
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In this article, the play Судбина једног разума [The Destiny of OneЃfs Reason] by Jovan Sterija Popović. is analysed as displaying a specific continuation and climax of the debates about Milovan Spasić.Ѓes textbook titled Земљеописаније целог свјета [The Geography of the Whole World] (1845). More specifically, the focus of the investigation is placed upon those aspects of the debates in question which concern the tendencies in building the scientific register of the Serbian literary language. In this context, I reach the conclusion that Sterija's unique sense of humour is adopted as a means of revealing one complex conception of pseudoscience and science, as representing two types of thinking activity which are mutually exclusive. In turn, the article also analyses Jovan Sterija Popović's views about the functional differentiation of language regarding its objectives and use, as well as the particularities of the scientific style of the national literary language concerning its intellectualisation on the syntactic and terminological levels.
More...Dragan Velikić poétikájáról
Dragan Velikić sets the historic experience and the questions of existence into the horizon of an open, plural thinking, and formulates the internal and external strata of a travel from Pula to Vienna via Budapest and Belgrade with a refined sensitivity and in a versatile way. He unveils to us the de-mythologised history of this region through the remembrance of the individual and the collective, establishing a strong system of reference. Velikić explains the linking impact of the connective structure on a social layer and temporal dimension, where the chains of actions align into recognisable patterns as an identifiable moment of a common culture. All this is an archived memory, where, to quote Ricouer, the “all-time-self-reality” of the memory is expanded by the “all-time-common-reality” through analogical transmission. The study wishes to research the extent to which the poetics of Velikić is able to mobilize the far-reaching cultural forms and social processes. His novels mark the region in a fluctuating era in which he clearly shows the historical sensibility of being polarised, celebrating the heterogeneity of cultural experience.
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The article focuses on a passage from Carl Schmitt’s Ex Captivitate Salus – a book famously written in a Nurnberg prison in 1946 – in which he draws, from memory, on a story derived from Serbian epic poetry, to justify his understanding of historiography, victory, and the figure of the hero. Analyzing the entire Serbian epic poem from which Schmitt extracts the vignette in question, we show how the text of the poem presents a significantly more complicated and messy picture of the figures of victor, victory, and hero, heroism. The anonymous Serbian poet, addressing himself to his contemporary audience, with which he is intimately familiar, really subverts simplistic expectations regarding the heroism and victory of the Serbian hero, Marko Kraljević. Finally, the article contrasts these complex and at times paradoxical figures of victory and the hero in the poem with their presentation in Carl Schmitt’s writing.
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Kosta Abrašević, though already forgotten, deserves the attention as our first proletarian poet who had founded a new poetry – social and proletarian one. The paper presents his exhaustive biography, analyses his influences, beside the surroundings, of the folk songs from the south and Šabac, the influence of the teacher (Vladimir Jovanović) and the poet (Zmaj). It completes his body of work by presenting his unknown contribution to the Sombor’s magazine for the children – Golub and unknown aphoristic verses, published after his death under the pseudonym “Abraš”.
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In the paper bearing the above title, the author shows the texts of the folk songs from the famous work Rukoveti by Stevan St. Mokranjac (1856 – 1914). It is about the songs Lele, Stano mori, malka Stano (V,6) and Što mi je milo le, majko, i drago (VII, 3) which first textual variants were published by the collector Stevan Verković in the book Narodne pesme makedonski Bugara (Belgrade, 1860). The texts of the same songs from the Verković’s collection were analyzed by the academician Vladimir Stojančević who had established the time of their formation and recording; the first was made at the end of the XVII century, the second around 1821. The author accepted the historical chronology of the emergence of these two songs as a good foundation for their historically-ethnographic treatment and pointed out to the folk variants of text and writings which Stevan Mokranjac included into his Rukoveti.
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In the first decades of the 20th century, when “modern“ or internal approaches to the artistic text started to appear, Miloš Crnjanski, an advocate of innovations in literature, remained faithful to the “traditional“ interpretation of literary works. There are numerous examples which indicate that biographical, analytical psychology research in particular, exerted a major attractive force not only on his imagination and writing, but also on his reception of literary works. Sigmund Freud’s papers and Jung’s analytical psychology undoubtedly offered him answers to the questions of the origin of creative energy, psychological motivation of characters and the nature and meaning of certain literary motifs. Stll, the way in which Crnjanski addresses these problems suprisingly coincides with Léopold Szondi’s Fate analysis (Schicksalsanalyse), which is perhaps the most fascinating fact. His essay Tajna Albrehta Direra (’The Secret of Albrecht Dürer’) once again confirms that Crnjanski addresses the problems of art using a wider, all-encompassing spiritual perspective, which simulta simultaneously allows one to realize some general and permanent issues of human existence.
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(Miloš Kovačević. Poetry in a stylistic key. Andrić Institute, Andrićgrad, Višegrad, 2020, 335 pages)
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(Snezana Milosavljevic Milic. Through fictional worlds. Nis: Faculty of Philosophy, 2020)
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(Mirjana Bojanic Cirkovic. Toplica in the work of Rada Drainac. Nis: Faculty of Philosophy, University of Nis. Prokuplje: National Library ,,Rade Drainac,, , 2021, 215 pages)
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