Cookies help us deliver our services. By using our services, you agree to our use of cookies. Learn more.
  • Log In
  • Register
CEEOL Logo
Advanced Search
  • Home
  • SUBJECT AREAS
  • PUBLISHERS
  • JOURNALS
  • eBooks
  • GREY LITERATURE
  • CEEOL-DIGITS
  • INDIVIDUAL ACCOUNT
  • Help
  • Contact
  • for LIBRARIANS
  • for PUBLISHERS

Content Type

Subjects

Languages

Legend

  • Journal
  • Article
  • Book
  • Chapter
  • Open Access
  • Fine Arts / Performing Arts

We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.

Result 19881-19900 of 19936
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 994
  • 995
  • 996
  • 997
  • Next
„Produkt niedostępny w ilościach sprzed wojny, ale za to tej samej jakości”. Uwagi o reklamach jako źródłach historycznych

„Produkt niedostępny w ilościach sprzed wojny, ale za to tej samej jakości”. Uwagi o reklamach jako źródłach historycznych

Author(s): Magdalena Saryusz-Wolska / Language(s): Polish Issue: 25/2019

Artykuł omawia cechy reklamy jako źródła historycznego w oparciu o przykłady z prasy niemieckiej, ukazującej się bezpośrednio po drugiej wojnie światowej. Był to okres skrajnych wręcz niedoborów i niedostępności większości produktów codziennego użytku. Na tym tle rzucają się w oczy kolorowe reklamy nierzadko luksusowych marek. Co mówią nam te obrazy o wczesnym powojniu w Niemczech? Artykuł kładzie nacisk na rozumienie reklamy jako medium formującego normy społeczne, które nie tyle odzwierciedla minioną rzeczywistość historyczną, ile ją projektuje. Reklama okazuje się zarazem narzędziem wytwarzania ciągłości między epokami, nie tylko pod względem gospodarczym, ale też estetycznym i kulturowym. Autorka formułuje zatem sugestię, by ekonomiczną funkcję reklamy przesunąć w badaniach historycznych na dalszy plan i wykorzystać ją raczej w badaniach historii rozwoju kapitału społecznego.

More...
„Przyszłość, ludzie”

„Przyszłość, ludzie”

Author(s): Kamila Kucia / Language(s): Polish Issue: 166/2021

OFF Opera w Poznaniu, 24 września – 5 października 2021

More...
„Rozstrzelanie”. Ruchome linie Leopolda Buczkowskiego
3.90 €
Preview

„Rozstrzelanie”. Ruchome linie Leopolda Buczkowskiego

Author(s): Agnieszka Karpowicz / Language(s): Polish Issue: 1-2/2020

An attempted interpretation of the multi-media nature of the art of Leopold Buczkowski, in particular within the context of his works recently donated by his son, Tadeusz, to the Museum of Art in Łódź and from that moment part of the Collections of 20th and 21st Century Art. By basing herself on an archival survey conducted at the Museum and interviews with members of its staff the author proves the integral nature of the written and drawn works as well as other domains of the arts pursued by the author of Czarny potok. Referring to, i.a. the conception proposed by Tim Ingold she tries not so much to view writing as drawing as to treat the writer’s drawings as a written record. The article focuses attention on several most important visual art functions fulfilled by the writer’s oeuvre: autobiographical, intimistic (drawn notes), documentary, anthropological (“ethno-graphic art”) and visual art as a performance of embodied memory and an element of a holistically interpreted narration.

More...
„Sąsiedzi” i filmowa Bydgoszcz

„Sąsiedzi” i filmowa Bydgoszcz

Author(s): Andrzej Gwóźdź / Language(s): Polish Issue: 110/2020

Although researching film history through the history of one film is not a new concept, it is rather rarely used. Piotr Zwierzchowski and Mariusz Guzek’s monograph “'Sąsiedzi'. Film o bydgoskim wrześniu 1939" [“'The Neighbours'. A Film about September 1939 in Bydgoszcz"] (2019) is devoted to the eponymous 1969 film by Aleksander Ścibor-Rylski and, simultaneously, to the city of Bydgoszcz in film. Both narratives are situated in the space of tension between national cinema and the history of cinema in the city which itself was often a place of film locations. The monograph follows the convention of an investigation conducted by the insightful and inquisitive film scholars and historians intrigued by their city’s past, who are equipped with an arsenal of tools and research measures providing an effective cognitive result. Zwierzchowski and Guzek do not intend to revise history, nor do they write the history of cinema anew. The undoubted beauty of the book is its cognitively fruitful and at the same time attractive style, in which the perspective of a witness to history (including the history of cinema) is fortuitously complemented by the perspective of a film consumer of from the past decades. In Piotr Zwierzchowski and Mariusz Guzek’s approach, the perplexities of Ścibor-Rylski’s ‘Bydgoszcz film’ turned out to be a fascinating adventure of cinema in the city which was made a film-city by historical circumstances.

More...
„Saulė ir jūra (Marina)“ – konvencijų ir žanrų spąstai

„Saulė ir jūra (Marina)“ – konvencijų ir žanrų spąstai

Author(s): Vaidas Jauniškis / Language(s): Lithuanian Issue: 2/2020

The analysis of the opera-performance Sun and Sea (Marina), the winner of Venice Biennale 2019, shows how the contradictory traditions of opera and performance enrich each other and break numerous canons of the art world. Opera, which at the very birth of the genre was titled the most conventional and unnatural art, earned the top position in the social pyramid amongst the arts. Performance art represented counter-culture due to its naturalness and liveness. In their work, Lapelytė, Grainytė, and Barzdžiukaitė suggest playing with different contexts and different social aspects and questioning traditions of the arts. Opera changes due to a performative turn, interdisciplinarity, and revolutions in the opera world (Wilson and Glass Einstein on the Beach); due to the society of sharing economy, participatory theatre, social networks, and an experiential turn.

More...
„Sekretarka” Dzienniczka Faustyny Kowalskiej lektura antropologiczna
3.00 €

„Sekretarka” Dzienniczka Faustyny Kowalskiej lektura antropologiczna

Author(s): Piotr Kubkowski / Language(s): Polish Publication Year: 0

Development and concretisation of the original perspective concerning the word anthropology, which was formed at the Institute of Polish Culture at Warsaw University and used in language practice research. The perspective is considered the best method to perceive the language as cultural phenomenon. An extensive theoretical introduction justifies this approach and puts the undertaken research into the context of contemporary changes in cultural studies. The volume contains twelve articles which present study cases of language practice seen as cultural practice in historical context: from antiquity to modern times, from the forms of word art to swearing and searching the web.

More...
„Sharonka”. Praktyka i dzieło w projektach artystycznych Sharon Lockhart z udziałem dzieci i młodzieży

„Sharonka”. Praktyka i dzieło w projektach artystycznych Sharon Lockhart z udziałem dzieci i młodzieży

Author(s): Julia Harasimowicz / Language(s): Polish Issue: 1/2019

The main goal of the article is to describe and analyse the artistic practice of the American artist Sharon Lockhart as well as her works created with the participation of children and young adults. The materials studied herein are the documentation of her activities, interviews, and texts accompanying exhibitions. A particular attention is paid to the projects made in Poland, especially those created with Milena, a teenage girl from a poor area of Łódź, and her friends from the Youth Sociotherapy Centre in Rudzienko. In the article, the artist’s statements are confronted with a formal analysis of her projects. With the use of such secondary sources as cultural, anthropological, art, and childhood studies literature, Lockhart’s artworks are described and interpreted in the context of creating the child’s image, of the young girls’ participation in art projects, and of the author’s method of work itself, which she calls ‘etnographic.’ The precise and interdisciplinary research shows superficiality of this pedagogical and emancipatory method, including using the girls to evoke a specific mood in the audience. From the perspective of art studies, Lockhart’s works, however, may be interpreted as an aesthetic story about a meeting with and an attempt to get to know the Other.

More...
„Strasznie lubię cię, piosenko”. Szkice o tekstach Wojciecha Młynarskiego. Tom jubileuszowy dedykowany Profesor Barbarze Kudrze
12.00 €

„Strasznie lubię cię, piosenko”. Szkice o tekstach Wojciecha Młynarskiego. Tom jubileuszowy dedykowany Profesor Barbarze Kudrze

Author(s): / Language(s): Polish

The volume comprises texts analysing the oeuvre of one of the greatest Polish song poets, Wojciech Młynarski. Although the majority of the 22 papers are scientific reviews, there are also some popular science texts. The monograph consists of an introduction, the profile of Professor Barbara Kudra, the bibliography of her works. The five chapters dedicated to the work of Wojciech Młynarski comprise diverse texts written from the perspective of language, literature and cultural studies.

More...
„Sunt mici revoluții care ar putea fi făcute care ne-ar ajuta pe toți să nu rămânem în negura timpului.” – Interviu cu regizorul Andrei Măjeri

„Sunt mici revoluții care ar putea fi făcute care ne-ar ajuta pe toți să nu rămânem în negura timpului.” – Interviu cu regizorul Andrei Măjeri

Author(s): Ironița Coruți / Language(s): English,Romanian Issue: 2/2020

More...
„Sztandar wolności” Ryszarda Ordyńskiego jako filmowy pomnik Józefa Piłsudskiego

„Sztandar wolności” Ryszarda Ordyńskiego jako filmowy pomnik Józefa Piłsudskiego

Author(s): Grzegorz Rogowski / Language(s): Polish Issue: 112/2020

The author reconstructs the history of the production and distribution of one of the most important documentary films of the interwar period: "Sztandar wolności" ('Banner of Freedom", 1935) by Ryszard Ordyński. By examining the intricate production process, he seeks to determine who produced the picture, for what purposes, and in what political circumstances, what was its perception in Poland and abroad, and finally how the mechanisms of its export worked. The research is based on press articles and on previously unexplored materials from the Archiwum Akt Nowych (Central Archives of Modern Records in Warsaw) and the New York State Archive in Albany.

More...
„Ta wojna trwa permanentnie, ona się nigdy nie kończy”… O ‘Wszystkich wojnach świata’ Tomasza Szerszenia
1.00 €
Preview

„Ta wojna trwa permanentnie, ona się nigdy nie kończy”… O ‘Wszystkich wojnach świata’ Tomasza Szerszenia

Author(s): Wiesław Szpilka,Tomasz Szerszeń,Zbigniew Benedyktowicz / Language(s): Polish Issue: 4/2021

A block of discussions on Tomasz Szerszeń’s book Wszystkie wojny świata (słowo/obraz terytoria – Instytut Sztuki PAN 2021). How is one to decipher from today’s perspective the recurring images of catastrophes or traces of historical events observed from a distance? Can the ancient skill of “spodomancy” be of use in this attempt at archaeology of contemporaneity? From Hiroshima and Chernobyl, the Near East and Algeria, Auschwitz and Fukushima, all the way to the 2015 terrorist attacks in Paris and other contemporary conflicts and crises the author creates a by definition incomplete planetary cartography of destruction: he takes a closer look at photographs and texts concerning vestiges of catastrophes and wars seen from afar, and follows their tracks so as to attempt to decolonise their images and latent impact upon us. Wszystkie wojny świata is a multitiered lavishly illustrated essay situated on the crossroads of anthropology, literature, and reflections on photography. At the same time, it is the outcome of years-long studies, a register of travels, and an attempt at regaining certain childhood images in order to better understand oneself and one’s place in relation to history.

More...
„Teatrul online nu există. (...) Teatrul presupune schimb de energie face-to-face.” Interviu cu regizorul Alexandru Iureş

„Teatrul online nu există. (...) Teatrul presupune schimb de energie face-to-face.” Interviu cu regizorul Alexandru Iureş

Author(s): Ironița Coruți / Language(s): Romanian Issue: 1/2020

More...
„Ten sobie mówi, a ten sobie mówi”. Ballady Adama Mickiewicza... – literatura czy partytura
3.00 €

„Ten sobie mówi, a ten sobie mówi”. Ballady Adama Mickiewicza... – literatura czy partytura

Author(s): Małgorzata Litwinowicz-Droździel / Language(s): Polish Publication Year: 0

Development and concretisation of the original perspective concerning the word anthropology, which was formed at the Institute of Polish Culture at Warsaw University and used in language practice research. The perspective is considered the best method to perceive the language as cultural phenomenon. An extensive theoretical introduction justifies this approach and puts the undertaken research into the context of contemporary changes in cultural studies. The volume contains twelve articles which present study cases of language practice seen as cultural practice in historical context: from antiquity to modern times, from the forms of word art to swearing and searching the web.

More...
„The Cherry Orchard” - Notes from the Theatrical Performance Lab

„The Cherry Orchard” - Notes from the Theatrical Performance Lab

Author(s): Aurel PALADE / Language(s): English Issue: 1/2021

This article is a conceptual analysis of a selective biography regarding the performance based on Chekhov’s The Cherry Orchard. Its purpose is to emphasize the importance of this play through the performance’s creators, trying to come up with original elements to unveil hidden meanings of this text. Comparing different representations of this play, we can notice that each of them attempts to unfold obscure meanings within Chekhov texts. In this respect, besides having a brief analysis of the most important and famous performances of this play, I participated in this study with my own representation, brought out at Ariel Municipal Theater from Râmnicu Vâlcea.

More...
„Them call we gypsy”
3.90 €
Preview

„Them call we gypsy”

Author(s): Nina Kennel / Language(s): Polish Issue: 1-2/2020

The topic of this study is Invernomuto: Negus, a documentary film made by an Italian duo of artists – an example of applying the cinema as a non-historical method of conducting historical studies. A juxtaposition of research shown in the film concerning the Italian colonial war waged in Ethiopia with the contents of lectures constituting sequences makes it possible to assume that the interlocutor not only participates in the film but also negotiates his appearance in front of the camera, using it for the purpose of realising his intentions. Co-dependencies between the makers of the film and those who appear in it allow us to regard the latter as “users” (Michel de Certeau) of the cinema.

More...
„To jest twój człowiek – idź z nim”. O zakłóconej identyfikacji w filmach Alana Clarke’a

„To jest twój człowiek – idź z nim”. O zakłóconej identyfikacji w filmach Alana Clarke’a

Author(s): Karolina Kosińska / Language(s): Polish Issue: 114/2021

Alan Clarke’s later films – like Made in Britain (1983), Christine (1987), Elephant (1989) – reveal a fully crystalized, mature creative strategy of the director. This strategy is defined by extreme reduction and repetitiveness of the narrative, emphasis on the compulsiveness of the characters’ actions, concentration on behavioural aspects combined with a radical rejection of psychology. It is realized primarily through long “walking” shots, and it results in a corporeal, trans-like experience of the film, in a specific relationship of the viewer with the characters and also, consequently, with the body of the film itself. Clarke forces on the viewer the constant contact with the human figure on the screen, while methodically depriving him or her of the possibility of identification. The author problematizes this disturbed identification by analyzing Alan Clarke’s films and by situating them in the context of Robert Bresson’s Notes on Cinematography, which in a way anticipate Clarke’s style, and also in relation to the theoretical concepts of bodily perception of the cinema developed by Jennifer M. Barker.

More...
„Toată viața m-am abătut de la șoseaua principală” – Interviu cu regizorul Radu Afrim

„Toată viața m-am abătut de la șoseaua principală” – Interviu cu regizorul Radu Afrim

Author(s): Călin Ciobotari / Language(s): English,Romanian Issue: 2/2020

More...
„Totus Tuus” św. Jana Pawła II. Od teologicznej głębi po ikonograficzną mistyfikację

„Totus Tuus” św. Jana Pawła II. Od teologicznej głębi po ikonograficzną mistyfikację

Author(s): Andrzej Witko / Language(s): Polish Issue: 4S/2020

The life motto of Karol Wojtyła – of the Pope St John Paul II – was contained in two words: Totus Tuus. They were derived from the work dating back to the 18th century and published in 1843: Treatise on True Devotion to the Blessed Virgin Mary by St Louis Marie Grignion de Montfort. The choice of such a life’s motto was expressing the total and limitless offering of the exceptional follower to the Mother of God, also being an expression of his living, concrete, overwhelming and all-encompassing faith. This very motto has inspired Izabela Delekta-Wicińska, a Cracovian artist, to paint – in the year 1984 – a unique picture Totus Tuus, which gained enormous popularity in the whole world, thus becoming an object of fraud in respect of piety. Even though the artist held that she was inspired by an exceptional embrace of John Paul II and Cardinal Stefan Wyszyński on the day of inauguration of the pontifi of the Polish Pope, a photograph of the Totus Tuus painting was circulated in the entire Christian world as a miraculous picture of Pope John Paul II that was taken accidentally. In the early 1990s one of the then most pre-eminent mariologists, Rev. René Laurentin, was interested in the matter. Even as late as in the 2018 the www.infovaticana.com website explained that the Totus Tuus depiction is not a miraculous photography of the St. John Paul II but a painterly vision of the Cracovian artist, Izabela Delekta-Wicińska.

More...
„Tovább él. Mert halhatatlan...” – beszélgetés Kovács Levente rendezővel, egyetemi tanárral
3.90 €
Preview

„Tovább él. Mert halhatatlan...” – beszélgetés Kovács Levente rendezővel, egyetemi tanárral

Author(s): Éva Patkó / Language(s): Hungarian Issue: 4/2020

The theatrical work of Levente Kovács encompasses the domains of creation, theory, teaching and cultural institution management. He has been for years the dean of the Hungarian department of the University of Arts from Marosvásárhely/Târgu-Mureș, the director of the Tompa Miklós Company of the National Theatre of Târgu-Mureş, of the Apollo 4 Pocket Theatre and the Thalia Laboratory, as well as the principal director of the Szigligeti Theatre. His experiences gained from fulfilling such diverse roles – theatre and institution director, teacher, writer – are reflected in this interview through the lens of contemporary theatrical events such as the changes brought about by the current pandemic or the blockade of the students of the University of Theatre and Film Arts from Budapest. Éva Patkó has asked “Professor Kovács” – as she respectfully refers to him in this dialogue – about all these issues and about his activities outside the theatre.

More...
„Tu nie będzie rewolucji”, ale tańczmy!

„Tu nie będzie rewolucji”, ale tańczmy!

Z Aśką Grochulską rozmawia Łucja Iwanczewska

Author(s): Łucja Iwanczewska,Aśka Grochulska / Language(s): Polish Issue: 163-164/2021

More...
Result 19881-19900 of 19936
  • Prev
  • 1
  • 2
  • 3
  • ...
  • 994
  • 995
  • 996
  • 997
  • Next

About

CEEOL is a leading provider of academic e-journals and e-books in the Humanities and Social Sciences from and about Central and Eastern Europe. In the rapidly changing digital sphere CEEOL is a reliable source of adjusting expertise trusted by scholars, publishers and librarians. Currently, over 1000 publishers entrust CEEOL with their high-quality journals and e-books. CEEOL provides scholars, researchers and students with access to a wide range of academic content in a constantly growing, dynamic repository. Currently, CEEOL covers more than 2000 journals and 690.000 articles, over 4500 ebooks and 6000 grey literature document. CEEOL offers various services to subscribing institutions and their patrons to make access to its content as easy as possible. Furthermore, CEEOL allows publishers to reach new audiences and promote the scientific achievements of the Eastern European scientific community to a broader readership. Un-affiliated scholars have the possibility to access the repository by creating their personal user account

Contact Us

Central and Eastern European Online Library GmbH
Basaltstrasse 9
60487 Frankfurt am Main
Germany
Amtsgericht Frankfurt am Main HRB 53679
VAT number: DE300273105
Phone: +49 (0)69-20026820
Fax: +49 (0)69-20026819
Email: info@ceeol.com

Connect with CEEOL

  • Join our Facebook page
  • Follow us on Twitter
CEEOL Logo Footer
2022 © CEEOL. ALL Rights Reserved. Privacy Policy | Terms & Conditions of use
ICB - InterConsult Bulgaria core ver.2.0.0815

Login CEEOL

{{forgottenPasswordMessage.Message}}

Enter your Username (Email) below.

Shibbolet Login

Shibboleth authentication is only available to registered institutions.

Please note that there is a planned full infrastructure maintenance and database upgrade of the CEEOL repository.
The Shibboleth login functionality is temporarily unavailable.
We apologize in advance for the inconvenience and thank you for your kind understanding.