Hasan Škapur, "Odnos osmanskih vlasti prema Bosanskom ustanku (1875-1878.)"
Review of: Hasan Škapur, Odnos osmanskih vlasti prema Bosanskom ustanku (1875-1878.), Sarajevo: Centar za osmanističke studije, 2017, Pp. 470
More...We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
Review of: Hasan Škapur, Odnos osmanskih vlasti prema Bosanskom ustanku (1875-1878.), Sarajevo: Centar za osmanističke studije, 2017, Pp. 470
More...
Review of: Hana Younis, "Od dućana do pozorišta. Sarajevska trgovačka elita 1851-1878", Historijske monografije, knj. 15, Dobra knjiga, Sarajevo, 2017, 353 str.
More...
Review of: Amila Kasumović "Austrougarska trgovinska politika u Bosni i Hercegovini 1878-1914", Udruženje za modernu historiju (UMHIS), Sarajevo, 2016, 396 str.
More...
Review of: Aliye f. Mataracı, "Trade in Wartime: The Business Correspondence of an Ottoman Muslim Merchant Family", Istanbul: Libra Kitapcilik ve Yayincilik, 2016. pp. 1-266.
More...
Review of: "Izgubljena revolucija: AFŽ između mita i zaborava", Chiara Bonfiglioli... [et al.], Sarajevo: Udruženje za kulturu i umjetnost: CRVENA, 2016, 199 str.
More...
Review of: Husnija Kamberović, "Džemal Bijedić – politička biografija", Udruženje za modernu historiju (UMHIS), Sarajevo, 2017, 436 str.
More...
Review of: Pajtim Statovci, My Cat Yugoslavia, i përkthyer prej finlandishtes nga David Hackston-i, Pantheon Books, Nju Jork, 2017, ff.255, ISBN 9780375715235)
More...
Review of: Zef Chiaramonte, Vulë uji -Marca d’acqua: poesie, Palermo: Nuova Ipsa, 2015
More...
Ferenc Csuszner analyses a volume issued by the publishing house of the University of Arts in Tg Mureș. Árpád Szabó’s book introduces graduate students to the basics of management. The reviewer thinks that the economic chapters of the book are very well grounded, he is only disappointed that, in spite of the title (Management for Cultural Institutions), the volume does not devote much space to the specific problems of cultural management.
More...
Tünde Kocsis writes a review about the volume Komiszkenyér (Scarce Bread) published by Komp-Press at Cluj. It is the twentieth volume of the series Prospero Books, written by actress Klára Sebők. We can read about the actor spouses’ (Klára Sebők, Sándor Héjja) common work with director György Harag. The series, which is now at its twenty-first volume, contains mainly life-interviews with actors.
More...
review of Ryszard Bugaj’s book: Polska reforma zabezpieczenia na starość
More...
Miklós Bács is a talented actor who performs both in Romanian and Hungarian language. He also teaches acting at the Babeș-Bolyai University in Cluj, where many young actors had the opportunity to experience his pedagogical virtues. Levente Imecs-Magdó introduces his latest volume of the three that had so far been published. The volume entitled Propedeutica limbajului teatral nonverbal în arta actorului (The Propedeutics of Non-Verbal Theatrical Language in the Art of Acting) published in Romanian in 2012 contains a short theoretical introduction followed by many useful practical exercises.
More...
Rozália Brestyánszky Boros is a dramaturg at a Hungarian theatre in Serbia. She has adapted, translated and written several plays, many of which were also staged. In 2015, five of her plays were published by a Hungarian institution in Serbia, the Voivodina Hungarian Cultural Institute. The volume entitled Waves, that contains plays about the destinies of individuals and small communities, is reviewed by Márta Vargyas.
More...
The Cluj based Koinónia publishing house has issued several volumes of András Visky’s plays. His latest volume, published in 2016 and entitled Out of Here! (Ki innen!) contains seven “theatrical experiments”. Tünde Kocsis lists in her review the common features of the plays: most of them happen in the Communist era, they have characteristically few characters who are usually oppressed and humiliated, they often contain Biblical allusions, and they question the woman’s role in the political-social constellations they present.
More...
Aureliu Manea was a Romanian director with a special universe, they named the theatre in Turda after him. In 2012, the publishing house Casa Cărții de Știință in Cluj published a volume with three of his one-act plays and other writings. The surrealistic one-act plays containing archetypes and strong visual impulses were staged by Gábor Tompa at the Romanian National Theatre in Cluj in 2013. Johanna Bertóti reviews the book.
More...