Gypsies in Contemporary Egypt: On the Peripheries of Society
Review of: Alexandra Parrs (2018). Gypsies in Contemporary Egypt: On the Peripheries of Society, AUC Press.
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Review of: Alexandra Parrs (2018). Gypsies in Contemporary Egypt: On the Peripheries of Society, AUC Press.
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Review of: Andrea Ceccherelli, Luigi Marinelli, Monika Woźniak (a cura di), Quo vadis polonistica? Bilanci e prospettive degli studi polacchi in Italia (1929-2019), Dipartimento di Studi Umanistici – Università di Salerno, Salerno 2020, pp. 261 (Collana di “Europa Orientalis”, 36).
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Review of: Adam Zagajewski, Prova a cantare il mondo storpiato, a cura di Valentina Parisi, Interlinea, Novara 2019, pp. 120.
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Review of: Grzegorz Gauden, Lwów – kres iluzji. Opowieść o pogromie listopadowym 1918, Universitas, Kraków 2019, ss. 616.
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Review of: Irena Grudzińska-Gross, Miłosz i długi cień wojny, Pogranicze, Sejny 2020, pp. 199.
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Review of: Monika Woźniak, Katarzyna Biernacka-Licznar, Jan Rybicki, 120 lat recepcji Quo vadis Henryka Sienkiewicza we Włoszech, Wydawnictwo DiG-Edition La Rama, Warszawa‑Bellerive‑sur‑Allier 2020, pp. 281
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Review of: Alessandro Amenta, Tomasz Kaliściak, Błażej Warkocki (red.), Dezorientacje. Antologia polskiej literatury queer, Wydawnictwo Krytyki Politycznej, Warszawa 2021, pp. 912.
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The article briefly presents the creation of the artist Victoria Cozmolici. The painter formed her style during the studies and creative camps in various European countries. In her creation, the artist shows a predilection to all types of easel painting, portraits of women and young girls, static natures with fruits and flowers, urban landscapes. The basic motif in the painter’s landscapes is inspired by the old part of Chisinau. Through a synthetic form, core form specific only to the author, the paintings are often interspersed with large pauses created by decorative spots, consisting of flat touches of the blade knife, often passed through colored grays. Victoria Cozmolici exposes her paintings always convincing the audience with an original concept, vision and his own style
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Review of: RAGNE KÕUTS-KLEMM - Hagi Šein, Digiajastu teleraamat: Digiajastu televisioon Eestis 2000–2020 [Television book of the digital era: Television of digital era in Estonia in 2000–2020], Tallinn: 2021, ISBN 978-9916-4-0728-8, 688 pp.
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Review of: Gheorghe Dumitroaia, Muzeul Cetatea Neamţ, Târgu Neamţ, România, Bibliotheca Memoriae Antiquitatis, XXI, Piatra Neamţ, Editura „Constantin Matasă”, 2009, 120 p.
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Review of: Constantin Ardeleanu, O croazieră de la Viena la Constantinopol. Călători, spații, imagini (1830-1860), București, Editura Humanitas, 2021, 302 p./ Ioan Dragu, Campania anilor 1916-1918. Drumuri de sânge. Moartea Albă. Pe urmele bolșevicilor, ediție îngrijită, selecție, studiu introductiv și note de Daniel Cain, București, Editura Humanitas, 2020, 404 p./ Hadrian Gorun, România și Marele Război. Introducere la o istorie și teorie a relațiilor internaționale, Cluj-Napoca, Editura Argonaut, Editura Mega, 2021, 191 p./ Florina Sas, Andrei Florin Sora (editori), Lungul drum spre primul Statut al funcționarilor publici din România. Deziderate, (ante)proiecte, legislație, opinii și dezbateri (1918-1923), Cluj-Napoca, Editura Mega, 2019, 755 p./ Paul Milata, Între Hitler, Stalin și Antonescu. Germanii din România în Waffen-SS, Sibiu, Editura Schiller, 2018, 448 p./ Dorin Dobrincu (editor coordonator), Alexandru-Dumitru Aioanei, Dumitru Lisnic, Dumitru Lăcătușu (editori), Colectivizarea agriculturii din România. Inginerie socială, violență politică, reacția țărănimii. Documente, vol. I, 1949-1950; vol. II, 1951-1962, Iași, Editura Universității „Alexandru Ioan Cuza”, 2017, 628 p., respectiv 560 p./
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Vrânceanu, D.M., 2022. Book Review: “About Marketing. Anthology”. Author: Iacob Cătoiu. Amfiteatru Economic.
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Review of: Matthias Hartmann, Vasile Stanciu (eds.), „Das Leben als Geschenk Gottes. Christliche Verantwortung im Angesicht des Todes“, Seria: Biblioteca teologică germano-română, Editura Schiller Verlag, Bonn-Sibiu, 2018, 216 pp.
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