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Poems by Dezső Müller - "Maholnap", "Fészket raknak", "Magzatvize", "Vaksötét".
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Poems by W. H. Auden - "A kérdés (The Question)", "Hálaadás (A Thanksgiving)", "Egy szangvinikus gondolat (A Sanguine Thought)".
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Poems by Vahe Arsen - "A vízen járó /The Walker On the Water", "Tündérek eljövetele/ The Arrival of Fairies", "Aznavour, Aznavour".
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Poems by Charles Bukowski - "Levegő és fény és idő és tér (Air and Light and Time and Space)", "A szemeteskuka (The Trash Can)", "Szerelmes vagyok (I’m In Love)".
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Poems by Imre Ferencz - "Legenda", "Árbóc", "Cirkusz", "Csak", "Nem áll kötélnek".
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Poems by Maria Pilchin- "marcel proust a murit în cadă", "firul de iarbă", "mama și tatăl meu sovietic", "cadou pentru prima învăţătoare", "tata freud", "alfabetice". Poems by Ioan Barb- "Naufragiați în destin", "Simple confesiuni", "Stela funerară ca un steag". Poems by Doru Arăzan Jr.- "prea târziu", "înlăuntrul palmelor (sau despre scris)", "batiste albe", "trup și lucruri", "hârtie lucioasă", "îmbrăţişare", "plantaţia de zăpadă", "ojă bio", "asfaltul zilelor", "pauza dintre două respirații". Poems by Ara Alexandru Şișmanian- "apa de numere", "colecţia de artefacte", "harfă alienată", "un bulgăre de pămînt". Poems by Romița Mălina Constantin- "prânz imaginar", "anestezii", "hazard", "în noaptea sfântului Andrei", "mângâierea dintâi". Sergiu Someșan - "Sergiu Someșan".
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Poems by Igor Severianin - "În Fâncositul Iulie", "Poloneza Șampaniei", "Uvertură", "Poesia 'Villa Mon Repos'", "Strașnic", "Pe Râul Păstrăvilor", "Lui Vladimir Maiakovski", "Dissona".
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Poems by Vasile Baghiu- "Este nevoie de un râs de copil", "La urma urmei", "Nici zvonurile care alarmează", "Avantajos este să nu câștigăm", "În nopțile lungi de insomnie", "Să fii departe de casă", "Veștile despre boală și moarte", "Vacanțele care au fost", "Sentimentul că sunt altcineva".
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Ashik Murat Çobanoğlu of Kars, one of the significant representatives of the “Anatolian Ashik (Minstrel) Tradition” in the last era, is the subject of this study. The position of Ashik Murat Çobanoğlu in the ashik tradition was revealed, and a review was made within the framework of ashik literature. When considering ashiks who are an important voice and representative of the society, it is necessary to make evaluations about the society in question. In this context, Goldman's structural constructivist method, which focuses on the relationship between society and artifacts, was preferred in this study. Within the framework of this method, first of all, the structural elements in Çobanoğlu's poems were emphasized in the heading of “understanding stage”. Under the heading of “Disclosure stage”, important information about the Kars region was interpreted by associating it with the ashik tradition. In this section, information about Çobanoğlu's life is introduced, and a general picture is drawn about the sphere in which the ashik grew up. When it comes to the ashik tradition of the Kars region, the first element that comes to mind is “Çobanoğlu Ashiks Coffee”. Information about Ashik Murat Çobanoğlu and the “Çobanoğlu Ashiks Coffee”, which has a significant impact on the ashik tradition in the region, was introduced, and evaluations were made. Later, the topics that Çobanoğlu covered in his poems were determined, and examples of these topics were introduced. It was determined that topics such as economics, agriculture, nature, and living things, history, and geography were usually covered in the poems. National issues and social criticism also attract attention in Çobanoğlu's poems. As a result of the review, a number of features belonging to the Kars region and traces of its culture were found in the poems. Historical issues, geographical and physical characteristics, reflections of the social structure are seen in the poems of Çobanoğlu. Ashik Murat Çobanoğlu of Kars is brought to the attention of the scientific world once again by using the structural constructivist method, and the main purpose of this study is to suggest a new interpretation about the ashik and to make a contribution to the studies of poetries of the ashik.
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In Classical Turkish (Divan) Literature, most of the poets used pseudonyms. The pseudonym can play a distinctive role within the scope of difference and originality in the poet(s) or the work(s) written. However, despite the concerns of being different and original and the efforts to be recognized, works, poems and life stories can be mixed with each other. There are many reasons for this. The first of these is to use the same pseudonym. This situation brings with it a number of confusions. However, it is seen that many poets and their works are mixed both in tazkeerahs, magazines/compilations and other texts. Even poetry books or other works of poets can be attributed to someone else. There are poems with the same pseudonym in biographical works, as in tazkeerahs, in magazines with a selection of combined works and/or poems. Although the existence of the poems is positive, it also causes confusion at the point of to whom it belongs. As stated in the sources, there are poets in Classical Turkish poetry, from the 15th or 16th century to the 18th century, who used the pseudonym Fasihi in their works and poems. One of them has a Turkish Divan (poetry book) found in libraries. Although some of the other poets have poetry books, they have not been identified yet. Unless it has a distinctive feature, it is difficult to determine which poet belongs to Fasihi's poems in magazines/compilations. However, as a result of a comparative analysis, some results can be reached as much as possible. In our study, poets with the pseudonym Fasihi introduced in the sources and academic studies will be emphasized, and their classification will be made as much as possible. It will be evaluated the integrity of the poets and their poems in their relations and with each other. Information and determinations, that is, the similarity, inconsistency or the reality of the predicted situations, deviations and relationships between the relevant data will also be tried to be investigated in the context of analytical analysis.
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Poems by Andreea Ciobanu - "e okay sunt obișnuită", "a love note to my body", "familie", "tu la ce te gândești?", "gen dramă & thriller". Poems by Andreea Roxana Ghiţă - "deloc/timp concret", "the state of being", "copilul ploii", "nu ştiu cum", "mersul lucrurilor", "oraşul felinarelor", ""
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Poetry written by Denis Ćosić: "Suze svetog Lovre", "Svežanj kopriva", "Pasja pšenica", "Bostan".
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Poetry written by Omer Ibrahimagić: "Model života", "Doba nevinosti (hljeb/kruh za kasnije)", "Ahmet i Mahmut", "Podrinjski jorgani", "Kost iz zaštićene enklave", "Veličina polovine", "Svašta nešto (sve može)", "Sve sam krivo mislio".
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Poetry written by Karlo Nikolić: "Daljinski upravljač", "S(i)jedim", "Neostvarena ljubav", "Smrt nadomak", "Umrijeti u tišini", "Mali grad", "Zec", "Kiša"
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Poetry written by Katarina Sarić: "Dezerteri & Derle", "Tautološki krug", "Futur II", "Opet stari film"
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