Przekraczanie widzenia. O dziełach sztuki doświadczanych w ciemności
The article is an attempt to criticism of two pieces of contemporaty art “How it is” MirosławaBałki and “This variation” Tino Seghala. Artists based in their works on experiences of darknessand created place for encounter of participants. On the ground of their installations, I am usingmethodology of antropology of senses to look for new methaphors, related to sound and touch.This senses are connecting with chaos and alterity versus to western civilisation based on dominationof vision. It could be remedy to okulocentric culture, rooted in category of perspective, controland order.
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