Herezja artystyczna – herezja socjologiczna, czyli „Manet to ja”
Pierre Bourdieu „Manet. Une révolution symbolique. Cours au collège de france (1998-2000) suivis d’un manuscrit inachavé de Pierre et Marie-Claire Bourdieu”
More...We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
Pierre Bourdieu „Manet. Une révolution symbolique. Cours au collège de france (1998-2000) suivis d’un manuscrit inachavé de Pierre et Marie-Claire Bourdieu”
More...
The article focuses on indirect and complicated connections of Balys Sruoga’s personal attitudes and his works with the main philosophic trend of the 20th century, namely the idea of individual’s unconditioned value and issues of rebellion, anxiety, as well as temporality and purport of life, elaborated by modernist art movements (Symbolism, Impressionism and Neo-romanticism) and highlighted by Existentialism. It searches not for Sruoga’s reply to philosophical postulates or paraphrases of an important thesis, but rather for author’s authentic attitude within the context of this paradigm. Research is focused on the significance of Jurgis Baltrušaitis, a Lithuanian diplomat and poet, as well as Russian symbolist, for Sruoga. It also highlights the role of the Teacher of the younger generation, assumed by Sruoga during the Nazi occupation. In doing so, the following works are analysed: early poetry, novel, Dievų miškas (The Forest of the Gods), and drama, Pajūrio kurortas (The Resort at the Seaside). The theoretical approach to the above mentioned texts consists of the history of the 20th century ideas, the context of modern literature and trends in philosophy, Enterbter Geist (The Disinherited Mind) by Erich Heller that offered a look at the 19th century and the continuity of its thinking traditions in the 20th century, as well as the concept of the literary field proposed by Dominique Maingueneau.
More...
The purpose of the present study was to investigate student music teachers’ expectations towards their future professional activity and competences of a music teacher. Two groups of students (76 Lithuanian and 64 foreign), who chose studies at Lithuanian University of Educational Sciences, participated in the research. In this article, the results from the qualitative survey carried out in 2017 will be highlighted. The results showed that in music education it is particularly important to combine orientation towards pedagogical activities with orientation towards the spread of the learner’s personality. The music students at the University describe their future professional activities as broad and multidimensional ones but they also emphasise the importance of personal values, implementation of general, subject-specific, professional (didactic) competences and continuous improvement. Participation in musical and artistic activities plays a specific role in the spread of professional identity of a music teacher.
More...
Today inclusive education encompasses many more types of “otherness” than before. Systems like the Universal Design for Learning encourage us to consider the abilities of all learners, not just those with disabilities, yet in-service and preservice teachers feel unprepared to teach diverse populations of students, accounting for negative attitudes towards inclusion. Changing the dispositions of future teachers is no easy task. For teacher education to become transformative rather than reproductive, many researchers have pointed to field experiences as being the key to success in changing teacher practices and dispositions. Since field experiences involve collaboration between the pre-service teacher and the school-based mentor, the aim of this research was to examine the voices of participants and prompted these research questions: how are future music teachers being prepared by university-based teacher education programs for inclusive classroom practice? What problems do pre-service music teachers face during field experiences? What challenges do school-based mentors face when guiding student teachers to work with diverse pupil needs? Focus group discussions were chosen as the method of data collection. Three groups consisted of bachelor-level students from two Lithuanian universities. The fourth consisted of six music teacher mentors.
More...
This article presents the results of an investigation into the initial educational content of theatre subject in 11th or 12th grades in Lithuania. It is shown, that the initial educational content of theatre subject is devoted to obviate the negative pupils’ attitudes to themselves and their inabilities to interact. Also, to achieve an expressing pupil’s individual point of view, creating respectful relationships, behaving as a co-creator.
More...
This article aims to present the songs and activity of Tomáš Hnídek and their reception among extreme right-wing sympathisers in the Czech Republic over the last decade. The study analyses the use of selected elements of collective imagery related to the singer-songwriter convention, with particular reference to the figure of Karel Kryl. It also draws attention to persuasive techniques of creating an image and to their influence on the reception of the singer-songwriter genre in the context of hate speech and struggle over a new politics of memory in the Czech Republic, pursued by extreme right-wing politicians and their followers.
More...
Review of: Lech A. Suchomłynow - Ewa Wróblewska-Trochimiuk, Sztuka marginesów. Chorwacki plakat polityczny (The Art of Margins. The Croatian Political Poster), Warszawa–Kraków: Instytut Slawistyki Polskiej Akademii Nauk – Libron, 2018, 324 pages
More...
We have to try to understand the position, the value and the purpose of arts and designs in our daily lives. The main purpose behind the birth of arts is the need of humanity to communicate. If we take a look at the history and go through the hieroglyphes and murals we can easily see that they are all there for to communicate. We have to know the fact that if we do not value art, our lives will be meaningless. Arts and design can be considered as an exposition of our emotions, feelings and experiences. Illustrations in graphic design is a form of art and like all graphic arts its main purpose is to deliver a specific message or messages to a society. Illustration is a branch of graphic design which has a strong correlation with the culture phenomenon. An illustration which can bond with many cultures and manages to become inter-cultural can be considered as successful and effective. We can say that graphic design is a fundamental fact and form of art in which we shape through our senses and experiences in daily life.
More...
The present text is an effect of considerations devoted to art education of an early-school child focused on stimulating children’s creativity and artistic imagination. The first part of the article presents considerations regarding the issue of artistic imagination and creativity. The second part discusses the concept of designing artistic activities at the level of early school education as a stimulator of imagination and child creativity. The third part of the article is an attempt to present the possibilities of using the techniques of contemporary art as a platform for pedagogical activities.
More...
The article deals with the possibilities of early British punk perception, primarily as an outgrowth of popular culture. It is considered that it emerges under its auspices and that it follows its basic guidelines. However, punk appears as its criticism as well, especially of some popular culture genres that preceded punk. In that way, punk establishes as a form of musical subculture. In Yugoslavia, this genre of music appeared, following the lead of British role model, enriching it with classical and avant-garde artistic interventions. The author tries, based on the sketching of socio-cultural context in which punk rises, to understand and interpret the actual presence of politics and its position within the phenomenon of punk rock.
More...
The article deals with the possibilities of early British punk perception, primarily as an outgrowth of popular culture. It is considered that it emerges under its auspices and that it follows its basic guidelines. However, punk appears as its criticism as well, especially of some popular culture genres that preceded punk. In that way, punk establishes as a form of musical subculture. In Yugoslavia, this genre of music appeared, following the lead of British role model, enriching it with classical and avant-garde artistic interventions. The author tries, based on the sketching of socio-cultural context in which punk rises, to understand and interpret the actual presence of politics and its position within the phenomenon of punk rock.
More...
The purpose of the article is to highlight the essence of the current process of certification in independent Ukraine and the assignment of qualification categories to artists-restorers. Methodology. The choice of research strategies in revealing the purpose of the study determined the application of systematic and integrated approaches, as well as historical-chronological and comparative methods. The use of these research methods contributed to obtaining their own results. The scientific novelty of the obtained results lies in the formulation and development of a topical topic, which in the scientific dimension has not received comprehensive and objective coverage and is being studied for the first time. The results of understanding the essence of the certification process and assigning qualification categories to artists-restorers can serve as an important component in the study of modern problems of art education and strategy of the policy of preservation and development of cultural heritage. Conclusions. In Ukraine, there are some elements of training and certification of artists-restorers, which are not combined with common approaches and principles. Training of specialists in the restoration of cultural values in higher education institutions is not accompanied by continued training during the practical activities of the restorer. The activities of the Commission for Certification of Artists-Restorers are not based on the achievements in this field in education, science, and technology. The legal basis of the commission's activity is outdated, contradicts the regulations of the central government in the field of culture, does not take into account international experience and needs a radical revision based on the latest approaches, which include practical and educational components of the unified system.
More...
The purpose of the article is to identify the features of the origin and specificity of the evolution of stage forms of ballroom dance in the era of Antiquity, the Middle Ages, and the Renaissance. Methodology. The study of the genesis and development of stage ballroom dancing was carried out on the basis of a synthesis of culturological and art history methodological approaches, which contributed to understanding the process of formation and evolution of stage forms of ballroom dance in historical retrospective, analyzing the features of stage dances of Antiquity, the Middle Ages and the Renaissance; the study and identification of compositional solutions for theatrical performances of ballroom choreography. Scientific novelty. Studied and analyzed the process of formation, formation, and development of stage ballroom dance in the context of specific types of artistic thinking of the era of Antiquity, the Middle Ages and the Renaissance, which reflect not only ideological needs and ideas, the relationship of stage dance art with reality, but also determine the totality of the principles of choreography in them theoretical and practical incarnations. Conclusions. The study revealed that the stage forms of dance have existed since ancient times and had a number of characteristic differences from folk dances. Ballroom dance as a historical phenomenon appeared in the XII century. from everyday forms of folk dance, which led to its large-scale popularization and contributed to the formation at a certain historical stage in the development of society with increased social stratification. The process of professionalization of amateur household, that is, the formation of a court ballroom dance, took place in direct contact with theatrical forms of stage dance. The presence of many different creative positions and artistic and expressive necessity contributed to the formation of various forms of stage dance. An analysis of the specifics of the stage choreographic productions of ballroom dances in historical retrospective showed that despite the clear boundary between social (ballroom) and theater dances, which differ in character and function, they still retain a lot in common: a set of steps and description terminology, features inherent in the figure dances. However, the orientation of the dancers to the viewer, in accordance with the stage space and certain introduced elements of theatricality, indicate the presence of excellent characteristics.
More...
The purpose of this article is to establish the contribution of Ukrainian ballet master, choreographer, director and pedagogue Vasyl Kyrylovych Avramenko to the Ukrainian and world art. Avramenko‘s native country has been silent about his work for a long time, although the artist has made the Ukrainian dance famous all over the world. He was one of the first to start shooting films on the Ukrainian topic in the USA. His activity was always aimed at developing the Ukrainian art, regardless of the country he lived in. The research methodology consists of a range of methods: historical, biographical, theoretical. The abovementioned methodological approach allows studying the question of historical data relating to the events in Ukraine that led to the emigration waves, find out certain biographical facts and analyze the artist‘s creative activity. The scientific novelty of the thesis is in systemizing the artist‘s biographical data, studying his contribution to developing the Ukrainian culture (Ukrainian dance and cinema) in Ukraine and abroad, seeking to define the special features of dramatic characters created by the artist. Conclusions: The artist had not lived in the native land for a long time (until 1924), as it was a hard time for our country, but it did not prevent V. Avramenko from engaging in creative activity. Setting an example of his personal performance of folk dances, the artist communicated the values of folklore art and its powerful educational potential. The performances of the choreographer and his students conveyed the love for the native land and symbolism of Ukrainian dance, which was reflected in artist‘s other creative projects, particularly in cinema.
More...
The purpose of the article. Development of an interdisciplinary set of research methods that are productive for studying the features of social and creative self-realization of the Artist in the cultural and Communicative Space of Ukraine and the world community. Methodology. The research which is of a scientific nature is based on general scientific approaches: dialectical logical and historical. The author resorts to the interdisciplinary construction of the theoretical and methodological basis of the work including a set of empirical and theoretical general scientific methods methodological tools of Culturology informology methods of Socio-Cultural Management. The scientific novelty is due to the need to determine the epistemological approaches and substantiation (taking into account trends in modern Science) of the structure and scientific and cognitive capabilities of a set of methods and rational methods of solving important for the further development of Culturology scientific problem of the Artist's personality modern culture. Conclusions. It is proved that the interdisciplinary approach is optimal for ensuring the productivity of studying the features of the Artist‘s creative realization in the modern Communicative Space. Comprehensive application of methods Culturology theory of social Communications methods of public administration and Management of Socio-Cultural Activities social Psychology historical and cultural methods cognitive tools of other humanities can identification of stable essential features of the functioning of the creative personality in the environment of Socio-Cultural Communications.
More...
The purpose of the article is to define the conception of perception of poetic texts and illustrations by generalizing these forms of arts. The methodology is based on the functional approach to verbal and non-verbal text comprehension. The scientific novelty of the work lies in understanding the process of generalization of two forms of arts, such as poetry and illustration that proves the idea of their twofold nature. The developed typology of poetic texts with a basic parameter ―antithesis‖ and classification of the forms of illustrations are founded on the correlation of projecting and conceptual principles of reality reflection in verbal and non-verbal texts, and on the explicitness degree of evaluative characteristics. Conclusion. The generalization of two forms of arts contributes to developing a course of action for an artist-illustrator. The significance of the scientific research results can clarify the elements of ambiguity, uncertainty, obscurity in the process of perception of any work of arts.
More...
The purpose of the article: to outline the stages of the formation of the Sacred Dance and its possible types, to determine the sacred-ritual meaning of the Sacred Dance, to investigate the theme of staging the Sacred Dance in the English court Masque in the first half of the XVIIth century. The research methodology assumes the unity of such methodological approaches as the system-historical and comparative methods of analysis. The systemic-historical method made it possible to consider the stages of formation, flourishing and the period of the actual prohibition of the sacred dance. The comparative method helped to reveal the similarity of the connected dance-labyrinth with the dance labyrinth in the English court Masque. Scientific novelty lies in an attempt to comprehend the sacred and ritual significance of the Sacred Dance, for the first time the Sacred Dance (labyrinth dance) is considered within the framework of the musical and theatrical performance of the English court Masque. Conclusions. In the early Christian period, the sacred dance was viewed as an act of ritualized worship of God, an act of manifesting immeasurable love for God. In different historical periods, famous philosophers, historians, playwrights, and poets saw in dance the highest meaning of Divine Love. The peculiarity of the dance performance in the court Masque allowed the invited guests to get in touch with the specifics of the existence of the royal English court. The nature of the dance, as a part of the English court Masque, is cosmopolitan based on the sacred-ritual discourse. The laws of harmony, Higher order and Reason, the Christian meaning of which was revealed through dance in the main part of the Masque, represented the English monarch as the center of the Universe.
More...
The purpose of the article is to define the term "patina" in its material and immaterial dimensions, as well as to study the genesis of this concept in a wide range of its interpretations in the context of the values of authenticity and value of works of art. Methodology. The study includes general scientific methods of analysis, comparison, and explanation. The method of discourse analysis contributed to the understanding of the meaning of the term "patina" in different periods of formation of the restoration theory. The method of comparative analysis was used to compare different interpretations of the concept by researchers of one chronological period. The use of context analysis is due to the function of intertemporal communication of works of art and their social dependence. System method - to identify the general principles of building a structure, the natural relationships between its various criteria. Scientific novelty. The scientific novelty of the work lies in the study of contradictions in the interpretations of the meaning of patina and in the combination of theoretical developments of scientists of the post-Soviet space with modern world restoration science. Conclusions. The study of various models of relationships between the initial state of the work and its temporal changes, analysis of a wide range of patina values, consideration of the restoration interpretation of an art object allow us to recognize patina as one of the criteria of the authenticity of a work of art. Scientific research and study of the concept of "patina" are of great importance for practical restoration, as they form the basis of specific restoration projects, methods, and recommendations.
More...
The purpose of the article is to compare the peculiarities of the embodiment of poetry "I fear thy kisses, gentle maiden" by P. B. Shelley in the translation of K.Balmont in the vocal works of the same name by A. Arensky and B.Lyatoshynsky. The methodology of the research is to use the comparative method at the level of analysis of phonetic, lexical, syntactic, metrical, and rhythmic structural features of the poetic original and its translation, as well as ‒ melodic-harmonic, form-forming, intonational, genre-stylistic features of vocal works by A. Arensky and B. Lyatoshiski. The novelty of the work consists of the proposed aspect of the research, the determination of the rhythm structure of the original and translation, the musical and artistically ‒ expressive properties of the latter, the common and distinctive features of the chamber-vocal works of A.Arensky and B. Lyatoshynsky. Conclusions. Despite the presence of many common points in the approaches of A. Arensky and B. Lyatoshynsky to the implementation of the P.B. Shelley‘s verse, but in general, their works differ substantially in intonation and genre-style, showing classical-romantic and modern-expressionistic variants of his interpretation. The aforesaid proves the broad artistic and expressive possibilities of the analyzed poetry by P. B. Shelley and her convincing artistic use in a variety of stylistic contexts.
More...