THE PLAY-WITHIN-THE-PLAY AS REWRITING: THE THEATRE OF THE LIVING DEAD Cover Image

LE THÉÂTRE DANS LE THÉÂTRE COMME RÉÉCRITURE : LES SPECTACLES DES MORTS-VIVANTS
THE PLAY-WITHIN-THE-PLAY AS REWRITING: THE THEATRE OF THE LIVING DEAD

Author(s): Dana Monah
Subject(s): Theatre, Dance, Performing Arts
Published by: Studia Universitatis Babes-Bolyai
Keywords: play-within-the-play; rewriting; Visniec; Visky; Ionesco; Beckett; political prison.

Summary/Abstract: The Play-within-the-play as Rewriting: the Theatre of the Living Dead. On The Sensation of Elasticity When Walking Upon Corpses (2010), by Romanian-French author Matei Visniec and Disciples (2005) by Romanian-Hungarian author András Visky both have as protagonists political prisoners playing the most canonical plays of the theatre of the absurd: Ionesco’s Bald Soprano and respectively Beckett’s Waiting for Godot. Starting from the modalities in which fictional worlds interact in the two ‘productions’, this article argues that the plays-within-the-play can both be considered as rewritings of Ionesco’s and Beckett’s masterpieces.

  • Issue Year: 2012
  • Issue No: 2
  • Page Range: 59-74
  • Page Count: 16
  • Language: French
Toggle Accessibility Mode