Asemănări şi deosebiri între originea şi structura operelor şi a operetelor
Parallels between the formation and structure of the two main genres of lyrical theatre: opera and operetta.
Author(s): Éva-Elena JordanSubject(s): Theatre, Dance, Performing Arts, Communication studies
Published by: Medea Egyesület
Keywords: opera; operetta; grande opéra; tragédie lyrique; opéra comique; comic opera; musical comedy; overture; choir; ballet; aria; ensemble;
Summary/Abstract: At the beginning – a diff erence of half a century, during development – similarities and diff erences, in the maturityphase – separate development paths, but similar artistic values. The structural diff erences between the two genres aredetermined by the author’s intention. The method of presenting of operettas requires an exigence similar to that necessaryfor opera productions. At the end of the 19th century – a diversifi cation and multiple ramifi cations of the development of theoperetta genre, on diff erent lands of Europe and America. In the fi rst half of the 20th century, opera ended its long process ofdevelopment, and operetta gave birth to new genres of musical theatre – diff erent in Europe and America.
Journal: ME.DOK Média-Történet-Kommunikáció
- Issue Year: XVI/2021
- Issue No: 4
- Page Range: 97-106
- Page Count: 10
- Language: Romanian