Projecting the traditional competitive paradigm into the virtual environment. The Online Competition, pros and cons / Translatarea paradigmei competitive tradiţionale în mediul virtual. Concursul online, pro şi contra
Projecting the traditional competitive paradigm into the virtual environment. The Online Competition, pros and cons / Translatarea paradigmei competitive tradiţionale în mediul virtual. Concursul online, pro şi contra

Summary/Abstract: The profile of the online competition in the music field implies a highly controversial nature, therefore we consider that this statement does not require any further argumentation in this article, given that in the most basic form, even a brief interrogative-introspective approach to this matter would validate it to an axiomatic extent. The purpose of the online competition’s analytic process consists in its level of actuality or, even better said, in the level of actuality it has reached in the context of the ongoing pandemic. This context has made in the last two years major adjustments of the psycho-social outline, at first from a macrostructural perspective then right away from a microstructural, individual one. Thus, most of the common activities from different fields have undergone changes, while about others we can say that they basically reinvented themselves. Amongst them, music competitions faced a drastic reorientation. In the following, we are going to address the variety of factors that either confirm or question the sustainability of relocating this crucial musical performance component into the virtual environment through Information and Communication Technology.

• Details
• Contents