POLİSİYE KURMACA ÖZNE İLİŞKİSİ VE POLİSİYENİN YENİ ADI: POSTMODERN ESRAR
THE RELATIONSHIP OF DETECTIVE NARRATION, FICTION AND SUBJECT AND THE NEW NAME OF DETECTIVE: POSTMODERN MYSTERY
Author(s): İmran GÜRSubject(s): Literary Texts
Published by: Namık Kemal Üniversitesi Fen-Edebiyat Fakültesi
Keywords: Postmodern Subject; conscience of inquiry; lost memory; mystery; crime
Summary/Abstract: Postmodern narration is the experience of the claim that the subject is fictional and the counsciousness of the subject is the consciousness that has been already establihed or yet being established. The art is situated in the position an estsblished consciousness in seking the mystery that belongs to itself and it assumes the function of attestation and analyticity in this seeking process. The reason of using detective narration by the postmodern narration as one of the essential elements of the fiction stems from the fact that the search itself and the nature of the searched thing is in the same situation with the factors, such as mystery, thrill, murder, danger of murder, etc. Since in postmodern narration, the voyage of conscience depends on internalization and establishing the subject in this way, the search appears to us as perception of the inside-outside border as a factor of threat, in the person of novel. In the voyage of consciousness the searched factor is “absolute”, or “mystery”, “lost memory”, or “the lost center”. For this reason, in postmodern narration, detective narration is related with metaphysic. In the narration, the killed, stolen, or lost factor becomes the absolute factor of the postmodern subject’s dispersed consciousness, while on the other hand the art is in the position of being the nearest witness of the search thanks to its characteristic of trying to reveal the case of murder and seeking the truth, as the fiction consciousness. The detective that reveals the mystery of the murder, the official that finds the stolen thing, and the detective that reveals the mystery, are consciousness. The postmodern mystery reveals the position of being witness that the consciousness fully corresponds with the whole of the search and the art inquires with the punctilio of a detective and with a detective thrill what is searched, how is searched and why is searched. The consciousness of the subject that seeks the mystery is killed. The subject, throughout its research, seeks the thief that stole a watch of him or the murderer that had murdered him.
Journal: Humanitas - Uluslararası Sosyal Bilimler Dergisi
- Issue Year: 1/2013
- Issue No: 01
- Page Range: 85-101
- Page Count: 17
- Language: Turkish