ДЕКОНСТРУКЦИЈА НА СЛИКАТА (хаику-поезијата и протонистичката теорија)
THE DECONSTRUCTION OF THE PAINTING

Summary/Abstract: That thing which eternally intrigues scientific logical pragmatism - the defense of the aesthetic mind, so as enforcement of the aesthetic criticism through distinction: Theory of literature and Aesthetics, is the taste - perception and knowledge which come out from the aesthetic object. Nowadays the pragmatics is defined, that taste belongs to the aesthetics - aesthesis, but the truth is a observing object of Theory. More concisely, taste belongs to the beauty , theory of truth even today Theory and Aesthetics are complemented within each other, but not identical. Art is a composition of the chaos - chaosmos. The sunflowers by Van Gogh or The looking flower by Redon are objects which peep. We are talking about the visions inside the objects which through expression of eternity, give life to life. The issue which intrigues distinction, is the distinctive analysis between Haiku poem and syllogism, two different epistemological processes, two different perceptions (West / East) which in a essence differ through different perception of reality. The haiku logic does not define , but is a moment of perceptive eternity, unless syllogism defines reality. Haiku is not the analysis of reality, but perception realized in the timeframe of natural cycle / of seasons, percept which is shows up quickly and disappears quickly and through juxtaposition of experience / discovers new and strange one, a momentary process in movement. The painting and the meaning are being as one in expression / the appearance of that which exists, a strange moment, an opening, a crack of eternity. Haiku is a strong resonance of the soul of contemporary time. The essence of today`s world, is defined through aesthetic experience of ordinary life.

• Details
• Contents