Мистецтвознавчі та культурологічні аспекти знаків і символів в образотворчому мистецтві
Artistic and cultural aspects of signs and symbols in creative art

Summary/Abstract: The purpose of the article is to introduce into art historical and cultural discourse of theoretically processed, generalized, analyzed information regarding the understanding of the meaning of symbols and signs in cultural studies and art historian scientists; Clarification of the root causes of the occurrence of basic concepts in cognitive anthropology. The methodology is based on the method of critical analysis of cultural, art historical, and literary sources; semiotic method; induction and deduction methods; historical, logical, and method of interdisciplinary synthesis. Scientific Novelty. Intrutded to the past experience of scientists, philosophers, art historians, culturalologists bring the need to pay attention to the meaning of symbols and signs in art history and cultural studies. The origins of the origin of the basic concepts of cognitive anthropology are found out. The author's vision of the badge and symbolism of the non-verbal language is set out, which is assimilated through the mastery of the national culture and requires intellectual efforts, corresponds to the N. Chomsky hypothesis, according to which the nature of knowledge, its use, material or physical mechanisms, the formation of the knowledge base and its application are associated with cognitive ability man in general. A modern approach to discuss issues on perceptual, security-indexed, subject-functional and other codes in the perception of reality are considered. The newest achievements of foreign and domestic researchers in the definitions of semiotic terminology, logical justifications of symbols and signs in cultural studies, and art historian examination were studied and analyzed. Conclusions. The results of the study of literary sources on this topic provided the opportunity to draw conclusions that in the analyzed editions of many authors was given insufficient attention to the origin of the terms of cognitive anthropology in the presentation of scientific material.

• Details
• Contents