Музична освіта Житомира періоду творчості у місті Віктора Косенка (до 125-річчя від дня народження)
Music education of Zhytomyr in terms of the creative period of Victor Kosenko in the city (dedicated to the 125th anniversary of his birth)

Summary/Abstract: The purpose of the article is to study the music education of Zhytomyr on the eve and during the creative path in the specified city of Viktor Kosenko. Research methodology. The methodology of work is based on the application of analytical, systematic, biographical methods, which revealed the place and significance of the figure of V. Kosenko in the development of the musical culture of Zhytomyr during the life and work of the composer in this place in 1918- 1929. Features of tendencies in the educational musical movement of that period, in particular, sociocultural and artistic factors of formation of music education and its positioning in the context of musical life of the specified period. The scientific novelty of the article is that for the first time the level of development of music education in Zhytomyr during the stay of the famous composer V. Kosenko (1918-1929) was analyzed and evaluated, which influenced the further development of educational and cultural branches of Zhytomyr region. Conclusions. The article outlines the peculiarities of music education in Zhytomyr on the eve and during the period of creativity in the city of Viktor Kosenko. It is established that at the beginning of the last century Zhytomyr was one of the important cultural and educational centers of the Right Bank of Ukraine, where there were schools and gymnasiums, theological and teacher's seminaries, as well as dozens of educational institutions of various specializations. It was found that one of the first in Ukraine in Zhytomyr opened a public library, theater, and cinemas. It was found out that the stay in Zhytomyr was a unique opportunity for V. Kosenko to be in Ukrainian (and not Russian or Polish) center (after Warsaw and St. Petersburg, where the urban cultural tradition prevailed, oriented differently) (not only Ukrainian but also European culture). It was important for Ukrainian music to position itself as European, and for the composer to have a kind of shelter from the control of the Soviet government, he had the opportunity to delve into himself, to find his own style.

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