Polityczność choreografii dla rodzin z perspektywy performance as research
The politicalness of choreography for families from the perspective of performance as research

Summary/Abstract: The aim of the paper is to provide a reflection on the choreographic practice in the field ofdance performance for families in the context of related fields of politicalness, from theperspective of performance as research. The author describes some important moments inthe global and Polish cultural policy concerning dance for children and presents anunderstanding of politicalness after Ana Vujanović and Mark Franko. The text undertakesreflection on the usefulness of the language of posthumanism (Chikako Takeshita, KarenBarad and Donna Haraway) in research into choreography intended for families. The authorgives an insight into the creative practice by analysing the dimensions of politicalness inthree performances by the Holobiont collective which she co-founded.

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