Sədi Sani Qarabaği Yaradiciliğinda “Xəlvətilik” Təriqətinin İzləri
Traces Of “Khalwati” Order In Works Of Sadi Sani Garabaghi
Author(s): İlahə VəliyevaSubject(s): Other Language Literature, Philosophy of Religion, 19th Century, Contemporary Islamic Thought
Published by: Sage Yayınları
Keywords: Sadi; Karbala; Khalvatiye; Gezel; tasavvuf;
Summary/Abstract: The 19th century was a special stage in the history of the Azerbaijani people with its socio-political, economic and social status. This period is also distinguished by the richness and diversity of its literary and cultural environment. In the 19th century, he wrote and raised more than a hundred poets in the Karabakh literary environment. Sadi Sani Karabaghi is one of the most talented authors of the 19th century Karabakh literary circle. Karabakh was one of the most distinguished artists of the 19th century Karabakh literary environment. According to sources, Sadi Sani went to Amasya after receiving an excellent education in his homeland, where he studied with Seyyid Mir Hamza Nigari, one of the famous sect leaders and famous scholars of the time. In his youth, Sadi, who had a great interest in learning science, increased his education by going to Amasya, one of the cultural centers of the Middle East, in the 19th century, where he received training from the leading scholars of the period. Many of Sadi Sani's poems of other types have survived to the present day. It is felt from the general order of these poems that the poet is able to create works that meet the highest needs not only in the gazelle genre, but also in other genres as a whole. In addition to secular poems, religious themes have a special place in Sadi Sani's works. The article examines Sani's mystical gazelles, especially those of the Halveti sect. Here is an intrepretation of gazelles, interpreted with modern literary techniques.
Journal: TURAN-SAM
- Issue Year: 14/2022
- Issue No: 53
- Page Range: 165-170
- Page Count: 6
- Language: Turkish