Формування творчої особистості Богдана Ступки як майстра українського театру
Formation of the creative personality of Bogdan Stupka as a master of the Ukrainian theater

Summary/Abstract: The purpose of the article is to characterize the features of the formation and formation of the creative personality of B. Stupka through the prism of trends in the development of Ukrainian theatrical art and to determine the foundations and achievements of the actor's performing skills. The research methodology consists of the use of typological, empirical, art criticism, analytical, axiomatic methods of researching the concept of the professional activity of the stage master, its initial period and stage development and, analyzing the main features of B. Stupka's acting skills, her specific features in the process of working on the image, key criteria the aesthetic value of reproducing the character of the production. The scientific novelty of the research lies in the systematization of B. Stupka's creative achievements at the beginning of his stage activity and subsequent professional achievements, which formed the fundamental basis of his high stage skills. Conclusions. As a result of the analysis of the study, it can be concluded that formed during the work in the collective of the Lviv Theater. Maria Zankovetskaya, the features of the creative style of Bogdan Stupka received significant development on the stage of the Kyiv Drama Theater. Ivan Franko, largely thanks to close cooperation with S. Danchenko, who not only contributed to the creation of a unique repertoire, consisting of works of serious domestic and world drama, but also a specific creative atmosphere in which the actor gets all the opportunities for a deep interpretation of the image of his character and its disclosure.

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