СТРАСТА НА АНДРЕЈ ТАРКОВСКИ ЗА АНДРЕЈ РУБЉОВ (ОД ИКОНОПИС ДО ФИЛМ)
The Passion of Andrei Tarkovsky for Andrei Rublev (From Icon Painting to Film)
Author(s): Zharko IvanovSubject(s): Fine Arts / Performing Arts, Film / Cinema / Cinematography
Published by: Институт за македонска литература
Keywords: Andrai Tarkovsky; Andrei Rublev; spirituality; icon painting; film
Summary/Abstract: Andrei Tarkovsky, one of the greatest film directors and one of the most significant artists of the twentieth century, by his contemporaries and colleagues will be described as the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream (Bergman), with his unusual sensitivity both overwhelming and astounding, reaching almost pathological intensity (Kurosawa), his works separate the viewer completely from physical life are the most spiritual films ever made (Kiarostami). Through Andrei Rublev, Tarkovsky will show his understanding that art could not exist without spirituality, in which he sees understanding of life as a journey of spirit more than anything else.
Journal: Context/Контекст
- Issue Year: 2022
- Issue No: 25
- Page Range: 93-105
- Page Count: 12
- Language: Macedonian