Планът като начин на изказ
The plan as a way of expression

Summary/Abstract: When we look at a painting, say, a Rembrandt portrait, we do not wonder what is to the left or right of the sitter; we do not wonder what she is looking at; we presume that everything we need to know has been put into the picture – into the frame – by the artist. Performing language of the screen has the same criteria – we presume that everything we need to know is there, and that those things, which are not on the screen are unimportant or irrelevant. This means that if a performer in the film does wonderful things that are not seen, then it is if he had not done them!

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