АНТРОПОЛОГІЯ ТА КУЛЬТУРОЛОГІЯ: МЕТОДОЛОГІЧНІ ПЕРЕСІЧЕННЯ Й АНТИТЕЗИ
ANTHROPOLOGY AND CULTUROLOGY: METHODOLOGICAL INTERSECTION AND ANTITHESES

Summary/Abstract: The purpose given work emerges the delimitation of the subject to anthropology and culturology on attitude them to sciences of art and in analogies with scientifically-artistic complex trivium-quаdrivium of Muddle ages and Renaissance. The methodological base is a hermeneutic-cоmpаrаtive method, outgoing from the intonation approach, accepted in science, as from musicology-science of literature and linguistics up to the heory of the kinematograph as defined in works A. Kanarskiy, E. Kuc, O. Markovf, A. Sokolova and other. General science methods, analytical and historian-descriptive, which formed including methodological bases taken to study of the scientific areas to anthropologies and culturology (R. Bаrthes, Yu. Boguckiy, S. Krymskiy, O. Markova, V. Sheiko, O. Spengler), also essential for cognition of the sought regularities and generalizations. The scientific novelty of the study is defined originality of the theoretical principle of the delimitation considered scientific discipline, as well as novelty of the collations of the subject row of the study. Conclusions. Cultural science based on notion of the culture, derived by root importance of the term ("cult"!), defining quality and target purpose that "processing" (lat culture – "processing"), personifying ideal determination, but realization symbolism last emerges the art, given to primevel activity. The anthropology, as biological in the first place science with semiotic-rationalist directivity of the presentation to human essence, rests in logically-life relatedness subject-quality, forming production-consumer chain of actions, including ideal-cultural output. And culturology, as well as anthropology reproduce complex of collations of the different sciences in demonstrations of its specifics, reminding quаdrivium of Muddle ages-Renaissance in consent with nеоrenaissance and nеоbаrocco measurements of the epoches of the modern style and postmodern of XX–XXI sentures.

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