Teatralność w spektaklach Ukraińskiego Narodowego Akademickiego Dramatycznego Teatruimienia Marii Zańkowieckiej we Lwowie. Elementy praktyk performatywnych
Theatricality in the performances of Lviv Maria Zankovetska National Academic Ukrainian Drama Theater. Elements of performative practices

Summary/Abstract: The article outlines the concept of theatricality in the context of Ukrainian theater of the XX-XXI centuries. On the example of performances of different pe-riods based on classical plays – “Natalka Poltavka” by I. Kotlyarevsky (directed by F. Stryhun, 1991), “Marriage” by M. Gogol (directed by A. Babenko, 2009), “Na-ked King “by E. Schwartz (directed by V. Sikorsky, 2016) is investigated the use of its techniques by the traditional theatrical team – the National Theater. M. Zankovetska 1990--2010. Other manifestations of conditional theater are consid-ered, the concept of “performativity” in the theory of world theater is analyzed and some of its features in the work of the National Theater named after M. Zanko-vetska as a cultural institution of national level is singled out.

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