БІОГРАФІЧНІ КОНЦЕПТИ «КАРПАТСЬКОГО КАПРИЧІО» ВІКТОРА ТЕЛИЧКА
BIOGRAPHY CONCEPTS OF VIKTOR TELYCHKO’S "KARPATSKE KAPRYTCHIO"

Summary/Abstract: The purpose of the article is to implement music studies analysis of «Karpatske kaprytchio» by Viktor Telychko, to reveal the key biographic dominants of the opus, to confirm the master’s subjective concerns implemented through the prism of creativity ascending the level of defining the region’s chronicle concepts. The research methodology encompasses a range of the following approaches: music studies, hermeneutic, biographic, culture studies, analytical, systemic, and theoretic generalization. The music studies method has been used to grasp the style and genre parameters of the suggested creative pattern. The hermeneutic method has been applied to interpret the senses presupposed by the author of the masterpiece. The biographic method has enabled considering Viktor Fedorovych’s chronicles, while the culture studies method has helped revealing various processes of the locus existence. The analytical method has been used to study the literature referring to the research issue. The systemic method has enabled comprehensive review of the question under consideration; the theoretic generalisation method has been used to summarise the research outcomes. Scientific novelty. For the first time ever in national humanitarian studies, «Karpatske kaprytchio» by Viktor Telychko was researched, and the idea of the artwork featuring the master’s biography and Zakarpattia’s history indirectly, was justified. Conclusions. «Karpatske kaprytchio» is a significant phenomenon of contemporary Ukrainian artistic domain. It reflects psychological characteristics of the regional dwellers (their optimism, humor, expressiveness, religiosity, and admiration of the nature); the paradigm basis of regional composer’s school (interpreting the microcosm images, reflecting the region’s polyethnic individuality, philosophic features, and the chamber nature of the utterance); the specifics of Viktor Telychko’s personal style (the grasp of a considerable range of avant-garde, traditional technologies of composing music, national identity, and autobiographic characteristics). Biographic dominants within the opus are revealed not as a consistent development of the plot or a definite narration of essential events, but as those through the cultural symbols, codes, and semantic prognostications. By decoding them, the recipient obtains information about the genesis, development of the master’s talent, civil position, outlook focuses, and relationships with people. By manifesting the concepts of personal biography, the master demonstrates the fundamental chronical parameters of the locus ontology and transfers the political, social, spiritual vicissitudes, as well as displays its mental and civilisational features.

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