THE HIDDEN CLUES IN THE INTRODUCTIONS OF “THE LATE MATTIA PASCAL”, “ZENO’S CONSCIENCE” AND “STEPPENWOLF” Cover Image

I SEGNALI NASCOSTI NEGLI INCIPIT DI “IL FU MATTIA PASCAL”, “LA COSCIENZA DI ZENO” E “IL LUPO DELLA STEPPA”
THE HIDDEN CLUES IN THE INTRODUCTIONS OF “THE LATE MATTIA PASCAL”, “ZENO’S CONSCIENCE” AND “STEPPENWOLF”

Author(s): Rosella Montibeler
Subject(s): Language and Literature Studies, Studies of Literature, Theory of Literature, Italian literature
Published by: Универзитет »Гоце Делчев« - Штип
Keywords: Zeno; Mattia Pascal; Harry Haller; Genette; narrator; introduction.

Summary/Abstract: In this paper we will analyze three novels from the first half of the twentieth century: The Late Mattia Pascal, Zeno's Conscience and Steppenwolf. We will dwell above all on the introductions, given that already in the first pages of their respective stories, Pirandello, Svevo and Hesse have enclosed guidelines for their readers. We will analyze the elements that these three novels have in common, give emphasis to those that differentiate them and try to understand what their particularities are. In short, by comparing the incipits, we will see what a reader risks missing by reading the books superficially.