Възгледи за музикалното време от ХХ век и приложни идеи за слухов анализ на метроритъма
Views on the Musical Time of the Twentieth Century and Practical Ideas for Auditory Analysis of the Metrorhythm

Summary/Abstract: The main problematic of the metrorhythm, in its expanded interpretation of the twentieth century, provoke the creation of new forms of dictation and auditory analysis. Interpreting the relativity of the rhythm/meter ratio of the last century, this article considers the forms of practical work such as the development of specialized methods for the auditory analysis and dictation, including examples from works of the french composer Olivier Messiaen, Bulgarian irregular meter examples from works of the composers Lyubomir Pipkov and Stefan Dragostinov and as a special section of the auditory analysis – both serial and sonorous examples. The music of the second half of the twentieth century (serialism, some sonorous and/or aleatory examples) – is also one of the subjects of the studies in auditory analysis found inthe systems of Ulrich Kaiser and Violaine de Larminat.

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