Удвоени форми на периода. Творчески решения и теоретични проблеми. Опит за съвременно осмисляне
Doubled Forms of the Period. Creative Solutions and Theoretical Problems. An Attempt to Rethinking

Summary/Abstract: The doubled forms of the period are considered through the prism of exposition, which they express and also in the perspective of the possibility within them to achieve a smooth transition from one to another formal function of the musical form. The many ways in which this can happen are considered historically, genre-wise and terminologically. The starting point of the discourse is the classical understanding of the period, as a basic expositional unit of musical form and functional unity of two subordinate parts, on the one hand, and the options for expanding the exposition space through repetition, varied repetition and repetition with harmonious development and syntactic dynamics, on the other. A panorama of the terminological approaches, applied to the semantic field of the doubled forms of the period, is proposed.

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