Intermediality in contemporary avant-garde cinema: Blurring media boundaries in Jean-Luc Godard’s films
Intermediality in contemporary avant-garde cinema: Blurring media boundaries in Jean-Luc Godard’s films
Author(s): Loukia KostopoulouSubject(s): Philosophy, Language and Literature Studies, Fine Arts / Performing Arts, Semiotics / Semiology, Theoretical Linguistics, Semiology, Film / Cinema / Cinematography
Published by: Нов български университет
Keywords: intermediality; avant-garde cinema; Jean-Luc Godard; Film Socialisme; First Name Carmen
Summary/Abstract: Drawing on the premises of avant-garde cinema (experimentation, transformation, liminality), this paper seeks to examine how intermediality functions as a form of experimentation in contemporary avant-garde cinema. It also bring new insights regarding the nature of the medium and the impact on the spectator. Examples will be drawn from Jean-Luc Godard’s films First Name: Carmen (1983) and Film Socialisme (2010).
Journal: Digital Age in Semiotics & Communication
- Issue Year: V/2022
- Issue No: 1
- Page Range: 15-34
- Page Count: 20
- Language: English
