Theatrical Version of the Novel „Dogs of Europe” by Аlhierd Bacharevich on the Stage
of the Belarusian Free Theatre Cover Image

Театральная версия романа Ольгерда Бахаревича Собаки Европы на сцене Белорусского свободного театра
Theatrical Version of the Novel „Dogs of Europe” by Аlhierd Bacharevich on the Stage of the Belarusian Free Theatre

Author(s): Alena Lepishava
Subject(s): Theatre, Dance, Performing Arts, Language and Literature Studies, Fine Arts / Performing Arts, Studies of Literature, Belarussian Literature, Sociology of Art
Published by: Wydawnictwo Naukowe Uniwersytetu Marii Curie-Sklodowskiej
Keywords: Belarusian literature; experimental vector of dramaturgy; performativereceptive turn; ;;theatricality”; theory of communication

Summary/Abstract: The article focuses on the performance of the Belarusian Free Theatre based on the novel The Dogs of Europe by Аlhierd Bacharevich, which premiered in Minsk on 7.03.2019, and the next stage version was presented during the tour of the collective in London in March 2022. The production, arranged in the conditions of a politically motivated relocation of the troupe in Kiev, is considered in the article in the context of the latest stage practices with high performative-receptive potential, bringing them closer to the techniques of mass media, political protest actions. This determined the methodological basis of the research, which turned to the aesthetic aspects of the theory of communication, the phenomenon of ,,theatricalization” (the focus on visual action presentation) of all spheres of life, as well as to the immanent properties of drama, revealed taking into account the performative turn in modern drama and theatre, which have become adequate artistic statements about the complex relationships within the dyad ,,man – society”. In the course of the study, it was found that the reception of the novel by Аlhierd Bacharevich was carried out on the stage of the Belarusian Free Theatre in line with the ideological and aesthetic attitudes of the collective, which since its foundation in 2005 has been approving the concept of the ,,barricade theatre”, typologically close to a number of theatrical and dramaturgical projects dedicated to the ,,pain points” of modernity: the demarcation of the world continuum according to political and ideological principles, the threat of a global military conflict and their latest local refractions: the suppression of peaceful protests in Belarus in 2020, the invasion of Russian troops on the territory of Ukraine in 2022.

  • Issue Year: 1/2022
  • Issue No: 16
  • Page Range: 177-194
  • Page Count: 18
  • Language: Belarusian