When I Fall in Love with Machine.O tożsamości kulturowej Tajwańczykóww epoce postmediów, cyberfizycznej kultury przemysłowej i wojen technologicznych oraz roli, jaką odgrywa działalność artystyczna w jej wytwarzaniu
When I Fall in Love with Machine: Cultural Identity of the Taiwanese in the Era of New Technology with Regard to the Works of Huang Yi Studio
Author(s): Anna GryszkiewiczSubject(s): Social Sciences, Theatre, Dance, Performing Arts, Fine Arts / Performing Arts, Sociology, Sociology of Culture, Sociology of Art
Published by: Uniwersytet Adama Mickiewicza
Keywords: contemporary art of Taiwan; Taiwanese dance; technoculture of Taiwan; Huang Yi Studio +; Guattari; KUKA; Sindelfingen
Summary/Abstract: This article could be read as a multi-voice, dynamic and being-in-progress model of relations that connect (could be linked to) a choreographic clip of the Taiwanese dance group Huang Yi Studio +, the establishment of a new Daimler AG factory in Sindelfingen and a sudden acceleration of work on Comprehensive Agreement on Investment between China and the EU at the end of 2020. Considering all of these events, I ask the question: What is the cultural identity of Taiwanese in the era of post-media, cyber-physical industrial culture and technological wars, and what role does artistic activity play in its production.
Journal: Porównania
- Issue Year: 2022
- Issue No: 31
- Page Range: 295-324
- Page Count: 30
- Language: Polish