GÜRCİSTAN SİNEMASINDA SOVYET VE SOVYET SONRASI DÖNEMDE KADININ TEMSİLİ
REPRESENTATION OF WOMEN IN THE GEORGIAN DURING AND AFTER SOVIET PERIOD

Summary/Abstract: In the study examining the representation of women in the context of feminist ideology; In order to understand the conceptual framework and the ideological and sociological structure of the period, first of all, Georgian history is explained and then information on Georgian cinema is given. In order to make the study understandable, Georgian films from the Soviet Union period and the Post-Soviet period were chosen as samples.The films selected and included in the sample were examined within the framework of feminist theory, adhering to the descriptive analysis method, and ideological analysis in terms of social dynamics was also included in the films discussed from time to time. In the analyzed works, descriptive analysis was used to reveal how women are represented within the framework of feminist theory. In the five Georgian films included in the sample, the representation of female characters on the screen was examined with the descriptive analysis method within the framework of feminist theory. By ex amining the patriarchal view in the films that were shot in two different periods historically, the representation of women in the patriarchal Georgian society was tried to be determined by film analysis. It has been determined that the representation of women in Georgian cinema has undergone changes in parallel with political and social events.

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