Performing—Feeling,
Auto-Transformation,
and Expression
Tang Shu-wing and His Theatre Studio in Hong Kong
Performing—Feeling,
Auto-Transformation,
and Expression
Tang Shu-wing and His Theatre Studio in Hong Kong
Author(s): Tang Shu-wing, Marzenna WiśniewskaSubject(s): Theatre, Dance, Performing Arts, History of Art
Published by: Instytut Sztuki Polskiej Akademii Nauk
Keywords: Tang Shu-wing; Asian theater; physical theater; actor’s training;
Summary/Abstract: This article presents the multifaceted persona of Tang Shu-wing, an acclaimed director, actor, and drama teacher, and examines his profound connections with the Polish theater tradition, particularly Jerzy Grotowski. The text also discusses Tang Shu-wing’s Shakespearean productions staged in Warsaw and Gdańsk. Marzenna Wiśniewska’s introduction contextualizes the appendix, which contains the edited transcript of a lecture delivered by Tang Shu-wing during the international online conference Contemporary Acting Techniques in Eurasian Theatre, Performance and Audiovisual Art: Intercultural and Intermedia Perspective (2021). In this lecture, thedirector characterizes the main ideas underlying his actor training and work on performances at the Tang Shu-wing Theatre Studio in Hong Kong. An essential part of the presentation is the characterization of Tang Shu-wing’s philosophy of art, including the four stages of an artist’s development and the methodology of authorial performance grounded in pre-verbal expression and body-based mini- malist aesthetics.
Journal: Pamiętnik Teatralny
- Issue Year: 72/2023
- Issue No: 3
- Page Range: 57-71
- Page Count: 15
- Language: English