THE THEATRE BETWEEN THE SCANDAL AND CENSORSHIP Cover Image

THE THEATRE BETWEEN THE SCANDAL AND CENSORSHIP
THE THEATRE BETWEEN THE SCANDAL AND CENSORSHIP

Author(s): Sašo Ognenovski
Subject(s): Theatre, Dance, Performing Arts, Sociology of Culture, Cultural Essay, Sociology of Art
Published by: Towarzystwo Naukowe KUL & Katolicki Uniwersytet Lubelski Jana Pawła II
Keywords: art, creator; recipient; theatre;

Summary/Abstract: Art is symbol, all its aspects are symbolic and hence significant. But symbol of what? Signifying what? Intuition is truly artistic, is truly intuition and not a chaotic accumulation of images only when it has a vital principle which animates it and accounts for its complete unity.1 The art always recognizes its recipient not directly, but mostly indirectly. Theater art is generally synthetic and its horizons integrate the social and aesthetic representation of the nature. The nature in this sense means the social and political environment and the sympathetic bridge in so called going beyond the fourth wall mutually influences the recipient’s points of view. That is why the theater as a synthetic art consists of a strong message which symbiotically participates in the recipient’s social and political life.

  • Issue Year: 13/2022
  • Issue No: 4
  • Page Range: 137-144
  • Page Count: 8
  • Language: English
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