L’argent : le cauchemar devant le drame
Money: The Nightmare in Front of the Drama

Summary/Abstract: This document is an analysis of a play made by the author himself.Therefore, we are dealing with self-analytical research, a way in which the playwright does not necessarily try to explain the potential stage failure of his text,but rather the relationship of the Demiurge with his creative “demons”. The reasonsfor the choice of plot are subjective, and the struggle, the real struggle, that theplaywright faced was to achieve objectivity, a goal that proved to be difficult, if notimpossible, to obtain. If our study lacks “scientific rigor”, it compensates in termsof sincerity, the methodological tool without which the mysteries of the unconsciousremain forever hidden from the lucid mind. In the following pages, we will retrace,writing via words, a “nightmare of repeated transformations” to which the Subjecthas been exposed to, by a dramatist who, even though he is a stranger to himself, hewishes to offer the public the necessary, the essential, the truth. For this reason, we believe that the absence of bibliographical references does not make our research poorer in content, but rather recommends it as an original study.

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