Topika apokaliptyczna w twórczości Krzysztofa Pendereckiego
Apocalyptic Topics in the Work of Krzysztof Penderecki

Summary/Abstract: One of the central ideas in the work of Krzysztof Penderecki (1933-2020) is apocalyptic, as indicated by his numerous reflections, texts and compositions. However, the apocalyptic topics in the oeuvre of this composer have not yet been the subject of autonomous considerations. The aim of this article, therefore, was to determine which apocalyptic topoi Penderecki uses, what role they play in the composer’s oeuvre and how they are exemplified in his works.The study was devoted to examining apocalyptic topics based on the textual layer of five selected compositions. Firstly, the Strophes was discussed because of the prophetic warnings contained in the words. The next work is the oratorio Dies irae, in which the composer portrayed the apotheosis of victory over death. Next, theapocalyptic transgressions present in the content of the opera The Devils of Loudun were shown. On the example of Paradise Lost the work’s section on vision of the future was highlighted, and Seven Gates of Jerusalem was considered a symphony with a messianic message. The article was complemented by statements on apocalypticism by the composer and various scholars and philosophers.The interpretative remarks undertaken were intended to bring out the main motifs corresponding to thinking in an apocalyptic spirit and to verify whether the apocalyptic topics in Penderecki’s oeuvre is more of anaesthetic inspiration or an idea influencing the message and shape of individual works on an ethical level.

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