Deconstruction of the Landscape in Contemporary Art Based on the Example of the Installation Do Plants
Dream of the Future? by Igor Eškinja Cover Image

Deconstruction of the Landscape in Contemporary Art Based on the Example of the Installation Do Plants Dream of the Future? by Igor Eškinja
Deconstruction of the Landscape in Contemporary Art Based on the Example of the Installation Do Plants Dream of the Future? by Igor Eškinja

Author(s): Katarina Rukavina
Subject(s): Visual Arts, Aesthetics, Contemporary Philosophy
Published by: Fakultet za medije i komunikacije - Univerzitet Singidunum
Keywords: identity; installation; Do Plants Dream of the Future?; weed; landscape; space; wallpapers; Igor Eškinja

Summary/Abstract: In Igor Eškinja’s installation Do Plants Dream of the Future? the main artistic motifis the living plant world growing in specific locations. The theme is therefore a landscape,but at the same time an anti-landscape because the plants are weeds, and the location is notdetermined by the natural, but by the industrial environment. The artist scrutinizes the plantsin such an artificial environment and the nature here is inseparable from the urban layer.Moreover, the binarity of nature and culture is illustrated throughout the entire artwork, aswell as the paradoxical nature of this relationship. This text aims to demonstrate to what extentis Eškinja’s installation is a landscape and what it tells us about the topic of nature in contemporaryart.

  • Issue Year: 2023
  • Issue No: 30
  • Page Range: 257-274
  • Page Count: 15
  • Language: English
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