Однос музичара према концертним активностима у првој години пандемије: београдски контекст
Musicians' Attitudes Towards Concert Activities in the First Year of the Pandemic: Belgrade Context

Summary/Abstract: This paper is based on the intersection of studies of performing arts, music and digital media in the field of musicology, which I connected with empirical research of professional musicians' attitudes towards Belgrade concert life in art music in the first year of the coronavirus pandemic (COVID-19). The research was conducted on the basis of a survey in which fifteen concert musicians participated. Given the appropriate theoretical perspective, the considerations are contextualized with respect to global changes of concert life.

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