Creating Haydn’s Sonatas at the Keyboard – Performer Rights and Responsibilities in Historical Performance Cover Image

Creating Haydn’s Sonatas at the Keyboard – Performer Rights and Responsibilities in Historical Performance
Creating Haydn’s Sonatas at the Keyboard – Performer Rights and Responsibilities in Historical Performance

Author(s): John Irving
Subject(s): Theatre, Dance, Performing Arts, Music, Sociology of Art, History of Art
Published by: Muzikološki institut SANU
Keywords: Haydn; fortepiano; performance practice;

Summary/Abstract: In April 2014, fortepianist and Mozart specialist John Irving recorded a CD of solo keyboard sonatas by Joseph Haydn, using a modern copy of a Viennese fortepiano of Haydn’s era. This is an account of the project written from the performer’s perspective, examining some relevant issues of historical performance practice, organology, and detailed reflections upon the performer’s preparations (of various musical and technical kinds) for the recording.

  • Issue Year: 1/2014
  • Issue No: 16
  • Page Range: 31-46
  • Page Count: 16
  • Language: English
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