Being a Modern Serbian Composer in the 1930's: The Creative Position of Ljubica Marie
Being a Modern Serbian Composer in the 1930's: The Creative Position of Ljubica Marie
Author(s): Melita MilinSubject(s): Cultural history, Music, Social history, Interwar Period (1920 - 1939), Sociology of Art, History of Art
Published by: Muzikološki institut SANU
Keywords: Ljubica Marie. Alois Haba; music of the thirties; atonality; athematicism;
Summary/Abstract: Ljubica Marić belongs to (hose rare Serbian composers who were fully involved in the international developments of modern music during the thirties I ler output shows that she was able to take over some dominant ideas of the period and transform them in a personal way. In the article are investigated all four of her preserved works composed before the outbreak of Work! War 2. Among them are two compositions that were until recently' believed to be lost: Longing for the (Hr! for choir (1929) and Music for orchestra (1932).
Journal: Muzikologija
- Issue Year: 1/2001
- Issue No: 1
- Page Range: 93-104
- Page Count: 12
- Language: English