Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant Cover Image

Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant
Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant

Author(s): Costin Moisil
Subject(s): Cultural history, Music, Social history, 19th Century, Sociology of Religion, History of Art
Published by: Muzikološki institut SANU
Keywords: Byzantine chant; 19th century; Macarie the Hieromonk; Anton Pann;

Summary/Abstract: Romanian cantors, clergymen and musicologists debated the problem of a national church chant from the late 19th century onwards. Amongst other things, they tried to define the specific traits of Romanian chant, to place these traits in opposition with Turkish and Oriental ones, and to show that traits of Romanian chant bore witness to a European and not an Oriental identity. This paper discusses various views on the traits of Romanian chant and the composing techniques of the “Romanianization” of Greek pieces, and points to the connections between these traits and national myths and symbols shared by Romanians.

  • Issue Year: 1/2011
  • Issue No: 11
  • Page Range: 119-132
  • Page Count: 14
  • Language: English