Bulgarian wedding music between folk and chalg: Politics, markets and current directions
Bulgarian wedding music between folk and chalg: Politics, markets and current directions

Summary/Abstract: This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music. In the socialist period wedding music was condemned by the state and excluded from the category folk but was adored by thousands of fans as a countercultural manifestation. In the postsocialist period wedding music achieved recognition in the West but declined in popularity in Bulgarian as fusion musics, such as chalga (folk/pop), arose and as musicians faced challenges vis-à-vis capitalism. As the state withdrew and became weaker, private companies with profit-making agendas arose. Although it inspired chalga, wedding music began to be seen in contrast to it, as folk music. Recently, fatigue with chalga and nationalistic ideologies are revitalizing wedding music.

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