Conducerea anticipativă, principiu de bază al tehnicii dirijatului modern
Anticipative conducting, a basic principle of the modern conducting technique

Summary/Abstract: The fundamental element of technique and modern conducting, the principal leading anticipatory, defines each other gesture of the conductor, we can speak about the personality and his conducting function, he suggests the tempo dynamic style, every character sound, and the gesture; mime and pantomime must express all of them. Everything must be proposed by the conductor before sound reality; he must always be with one or two beats before ensemble. In front of the ensemble, the preparing or the enthusiasm represents the exact artistically breathing, of maximum importance for the precision attack; but not just the choristers or performers from the wind instruments, translates the anticipated breathing but the whole orchestra too. We confirm with our conviction for the precision attack, the first importance of the technically element, is in the frame of the professional ensemble, the act of artistically breathing must be associated with anticipation and division of these in half of throb. This breathing technique which anticipates musical speech, is found in the frame of music chamber too, when the conductor it is not justified, and we can name it as the key of the precision attack, indifferent.At the successive entrance of the voices, has an issue in polyphonic music; having the theoretical and practical knowledge about the concept of anticipatory conducting, he could prepare each voice which can propose an imitative or a new thematic material. The conductor term itself, with the meaning of conducting, is guiding the person to a specific place or spot, he is helping us to consider this concept itself taking part in duties of the conducting responsibilities.

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