Examining Representations of Otherness in Urban America: An Exploration of “Midnight Cowboy
Examining Representations of Otherness in Urban America: An Exploration of “Midnight Cowboy

Summary/Abstract: This research embarks on a comparative analysis of cinematic representations of Otherness, focusing on the seminal film “Midnight Cowboy” (1969), its setting within the dynamic landscape of 1960s New York City, and its enduring relevance in understanding contemporary urban America. The concept of “Otherness” has long been a focal point in the realm of cultural studies, sociology, anthropology and film theory. It delves into the complex ways in which individuals or groups are perceived as different, alien, or marginalized within a given societal context. In the context of cinema, the portrayal of Otherness has served as a powerful lens through which to examine the intricacies of urban life, identity, and social dynamics. The paper incorporates anthropological and sociological theories to underpin discussions of Otherness in cinema. These theories provide a robust framework for understanding how cinematic representations of Otherness contribute to contemporary dialogues on diversity, identity, and social representation. We aim to highlight the ways in which “Midnight Cowboy” (1969) as well as other contemporary cinematic productions not only reflect the complexities of urban life, but also serve as windows into the enduring struggles and triumphs of individuals navigating the diverse landscapes of modern America.

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